Audio equipment

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Transducer - Back electret condenser Pickup pattern - Cardioid Frequency response - 50 Hz - 16 kHz Sensitivity -32 dB, 3 dB Bass filter - 60 Hz, 10 dB/octave Output resistance - 2000 Ohm 30% Power consumption - 1.5 AA battery

Wireless microphone for camera recording Takstar SGC-598 is a very budget copy, designed specifically for novice cameramen or reporters. Thanks to its shockproof design, it can be used for sound recording in non-standard conditions. Power is provided by a 1.5 V AA battery capable of receiving sound waves for about 100 hours. Perceives sound waves at a frequency of 50 Hz to 16 kHz, which is quite acceptable for both voice recording and musical works. The value of the sensitivity index is -32 dB 3 dB (0 dB = 1V / Pa at 1 kHz). 

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Stereo boom microphone for Zoom H5, H6 recorder, Zoom Q8 video recorder, U-44 audio interface, F1, F4, F8, F8n. Fluffy windscreen included.


SSH-6 Mid-Side Stereo Shotgun – capsule microphone for Zoom H5 and Zoom H6 recorders. Next to the super-directed "gun" to pick up sound in the center, it has a dual microphone to pick up sound from left and right. You can adjust the stereo range by adjusting the MIC LEVEL sides in the same way as on the Mid-Side MSH-6. If you are recording in RAW mode, you can adjust the stereo width even after recording. You can use this feature to capture a specific audio source and later add the surround sound captured by the side microphone.


For example, when recording audio for movies, videos, or news, the actor or reporter's voice should be as clear as possible. Ambient sounds can then be added in post-production to capture the atmosphere of the scene. On the other hand, if the ambient sound is noisy, you can lower the stereo width so that the voice can be heard better. You always have access to flexible recording management depending on the circumstances.


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Description

Characteristics:


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Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Supercardioid
Connection type Wired
Microphone placement To camera, smartphone
Connector Jack 1/8”
Resistance 2,2 k?
Frequency response 50 Hz - 20 kHz
Sensitivity -30dB ± 3 dB
Signal-to-noise ratio 72 dB
Dimensions, mm 85 x 35 x 66.5 (VCM5)
Weight, kg 0.065 (VCM5), 0.2 (GT1)
Package Instruction, microphone, windscreen, tripod, on-camera light, 3 cables
Warranty, one month 12
Color Black
Brand Registration Country China
Producer country China

CKMOVA MST3 – is a high quality solution for vlogging and creating quality video using smartphones and digital cameras. Includes CKMOVA VCM5 microphone, bright FL20 camera light with adjustable color temperature, GT1 tripod with hot shoe design, 2-in-1 foam/fur combo windscreen, and 3 cables.


Microphone Features


  • High quality super-cardioid condenser microphone
  • Designed for mounting on DSLR, mirrorless (mirroless) cameras, camcorders and to smartphones
  • 3.5mm headphone jack for live monitoring
  • 3.5mm jack for connecting to a device (Plug and Play)
  • Rugged aluminum alloy construction
  • No battery required to power the microphone
  • Lightweight and durable aluminum construction for high RF rejection
  • Supplied with type TRS and TRRS, mic mount, and 2-in-1 foam/fur combo windshield
  • Microphone finished in black

Tripod features


  • Unique 2 in 1 holder design (tripod and selfie stick) that is compatible with smartphones, mirrorless and digital cameras
  • Made of durable ABS- plastic and aluminum
  • The tripod weighs only 200 grams, the folded size is 25 cm
  • The maximum weight of the tripod is 2 kg
  • Hot shoe mount, on which you can install various accessories such as LED light, microphone, etc.
  • Integrated folding and storage, compact design, multiple functions to meet different shooting needs

On-camera light features


  • Battery capacity is 200 mAh
  • LED strip consists of 9 elements
  • Complete battery charge in 1.5 hours
  • Color temperature adjustment
  • Attached to device with clip

Package


  • CKMOVA VCM5 Condenser Microphone
  • GT1 Tripod
  • FL20 Camera Light
  • 2 in 1 Combination Windscreen (Foam) /fur)
  • 3.5 mm TRRS cable – TRS
  • 3.5mm TRRS cable – TRRS
  • Charging cable
  • User's manual
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Description

Shotgun microphone for Zoom H5, H6 recorder, Zoom Q8 video recorder, U-44 audio interface, F1, F4, F8, F8n. Orientation – supercardioid. Fleece windscreen included


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Description

Characteristics:


Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Cardioid
Connection type Wired
Microphone placement Stand mounted
Connector 3-pin XLR
Resistance 200 ohm
Frequency response 20Hz - 20kHz
Sensitivity -35 dB ± ; 3 dB
Signal-to-noise ratio 87 dB or more
Dimensions, mm 145 x 52 x 36
Weight, kg 0.325
Package Manual, cable, microphone mount
Warranty, month 12
Color Black
Brand registration China
Product manufacturer country China

CKMOVA SXM-3 – This is a cardioid condenser microphone with a large diaphragm and a flat, flat, wide-range frequency response. It is ideal for recording vocals and instruments in project and professional studios. The cardioid polar pattern reduces sound pickup from the sides and rear. The high sound pressure level (SPL) of 144 dB makes it an excellent microphone for piano, percussion, brass and all acoustic stringed instruments. The microphone has a large diaphragm (26 mm), which gives the sound strength and warmth. The advantages of a large aperture are lower self-noise as well as higher recording sensitivity. By type of acoustic

Characteristics:


this microphone belongs to pressure gradient receivers. The microphone has a one-piece, rugged metal housing and operates with standard 48V phantom power, supplied via a standard 3-pin XLR connector.


Features


  • High-quality, large-diaphragm cardioid condenser microphone
  • Great for streaming and podcasting
  • Large-diaphragm for smooth, natural sound and low noise
  • < li>Cardioid polar pattern reduces side and rear pickup
  • Dedicated microphone mount provides superior isolation
  • Standard 3-pin XLR
  • Rugged all-metal housing and rugged construction withstand harsh environments
  • Supplied with shock mount and 3-pin XLR cable
  • Microphone finished in black
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Description

Characteristics:


< /tr> < /tr>
Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Cardioid
Connection type Wired
Microphone placement Desktop
Connector USB Type-C
Resistance 32 Ohm
Frequency response 50Hz - 20kHz
Sensitivity -32 dB ± 3 dB
Signal-to-noise ratio 75 dB
Dimensions, mm 129 x 166.5
Weight, kg 0.4185
Complete set Manual, 2 cables
Warranty, month 12
Color Black
Brand registration country China
Producer country product China

CKMOVA SUM3 – A compact, studio-quality cardioid condenser microphone specifically designed for podcasting, live streaming, home recording, voiceovers and more. The flat frequency response ensures natural sound in a wide range of applications, while the built-in pop filter reduces noise. There are two controls on the front of the microphone that provide ease of use for the best sound quality. First – gain control and mute function (Gain Switch and Mute), helps users to control the volume of the recording and a simple press to mute the sound in a second. This is a very useful feature for live communication/streaming. The second knob is responsible for adjusting the volume of the headphones, which can be connected directly to the microphone. This feature ensures that there are no delays or echoes when recording with a backing track. The microphone is equipped with a headphone jack with volume control, allowing you to listen to the microphone with zero delay.


Features


  • Studio USB condenser microphone designed for those who demand quality with ease of use
  • Ideal for podcasting and live streaming
  • Smooth frequency response ensures natural sound in a wide range of applications
  • Microphone gain control/mute function
  • Headphone volume control
  • Built-in pop filter that reduces noise
  • 3.5mm headphone output zero-latency monitoring
  • Compatible with Windows and Mac computers with Type-C and Type-A connectors and smartphones with Type-C connectors
  • Rugged all-metal construction
  • Works with 3/8" and 5/8" stem threaded holes
  • Type-C to Type-C audio output cable and Type-C to Type A cable included
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Description

Characteristics:


td>
Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Supercardioid
Connection type Wired
Microphone placement To smartphone
Connector Lightning
Frequency response 50 Hz - 20 kHz
Sensitivity -32 dB ± 3 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 72 dB
Dimensions, mm 73 x 28 x 16.4
Weight, kg 0.012
Package contents Instruction, wind protection
Warranty, month 12
Color Black
Brand Registration Country China
Production country China

CKMOVA SPM3L – This is a compact supercardioid condenser microphone with a Lightning plug that can rotate 180 degrees. The microphone is optimized to work with Apple devices that have a Lightning connector.


There are 2 switches on the back of the microphone. The first is for gain control, and the second allows you to turn on the low-cut filter (from 120 dB) for crystal clear sound when recording. The gain control function (-10 dB, 0 dB) is optimized to capture sounds in front of the microphone and at long distances, while rejecting sounds from the sides and rear. This feature allows louder sounds to be fed into the microphone while still providing an attractive sound. Flexible design with 180 degree plug rotation allows the microphone to capture a wide range. Also included is a fur windshield for outdoor shooting, which is especially useful in inclement weather.


Features


  • Professional super-cardioid condenser microphone
  • Designed to work with Apple devices that have a Lightning connector
  • Plug and Play – plug and play
  • Compact, lightweight and durable
  • Flexible design with 180-degree swivel mic plug
  • Low cut filter (from 120 dB) allows you to get crystal clear recording
  • Gain switch (-10dB, 0dB) allows fine adjustment of input level
  • Microphone does not require battery power
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Description

Characteristics:


td> td>
Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Supercardioid
Connection type Wired
Microphone placement To camera, smartphone
Connector USB Type-C
Frequency response 50 Hz - 20 kHz
Sensitivity -32 dB ± 3 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 72 dB
Dimensions, mm 73 x 28 x 16.4
Weight, kg 0.012
Package contents Instruction, wind protection
Warranty, month 12
Color Black
Brand Registration Country China
Production country China

CKMOVA SPM3C – This is a compact supercardioid condenser microphone with a Type-C plug that can rotate 180 degrees. The microphone is optimized to work with smartphones, PCs and MACs that have a Type-C connector.


There are 2 switches on the back of the microphone. The first is for gain control, and the second allows you to turn on the low-cut filter (from 120 dB) for crystal clear sound when recording. The gain control function (-10 dB, 0 dB) is optimized to capture sounds in front of the microphone and at long distances, while rejecting sounds from the sides and rear. This feature allows louder sounds to be fed into the microphone while still providing an attractive sound. Flexible design with 180 degree plug rotation allows the microphone to capture a wide range. Also included is a fur windshield for outdoor shooting, which is especially useful in inclement weather.


Features


  • Professional super-cardioid condenser microphone
  • Designed to work with devices that have a Type-C connector
  • Plug and Play technology – plug and play
  • Compact, lightweight and durable
  • Flexible design with 180-degree swivel mic plug
  • Low cut filter (from 120 dB) allows you to get crystal clear recording
  • Gain switch (-10dB, 0dB) allows fine adjustment of input level
  • Microphone does not require battery power
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Description

Characteristics:


td> td> td>
Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Supercardioid
Connection type Wired
Microphone placement To camera, smartphone
Connector TRRS 3.5mm
Frequency response 50 Hz - 20 kHz
Sensitivity -32dB ± 3 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 72 dB
Dimensions, mm 81 x 28 x 16.4
Weight, kg 0.012
Package contents Instruction, wind protection
Warranty, month 12
Color Black
Brand Registration Country China
Product country China

CKMOVA SPM3 – This is a compact supercardioid condenser microphone with a TRRS plug that can rotate 180 degrees. The unique function of switching between DSLR (reflex camera) and smartphone allows you to use the microphone for both camera and smartphone without any additional accessories, which breaks the limitations of traditional on-camera microphones in the market.


On the back There are 2 switches on the microphone panel. The first is for adjusting the gain, and the second is responsible for switching between the camera and the smartphone. The gain control function (-10 dB, 0 dB) is optimized to capture sounds in front of the microphone and at long distances, while rejecting sounds from the sides and rear. This feature allows louder sounds to be fed into the microphone while still providing an attractive sound. Flexible design with 180 degree plug rotation allows the microphone to capture a wide range. Also included is a fur windshield for outdoor shooting, which is especially useful in inclement weather.


Features


  • Professional supercardioid condenser microphone for cameras and smartphones
  • Designed to work with smartphones and cameras that have a TRRS connector
  • Plug and Play – plug and play
  • Compact, lightweight and durable body
  • Flexible design with 180-degree rotation of the microphone plug
  • Camera and phone function switch, provide more flexible functional choice for users
  • Gain switch (-10dB, 0dB) allows fine adjustment of input level
  • Microphone does not require battery power
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Description

Characteristics:


< /tr>
Microphone function Universal< /td>
Microphone type Condenser
Picture pattern Supercardioid
Connection type Wired
Microphone placement Manual, on camera, on Rack
Connector 3-pin XLR
Resistance 250 Ohm
Frequency response 20 Hz - 20 kHz
Sensitivity -32dB ± 2 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 75 dB
Equivalent noise level 22 dBA
Dimensions, mm 22 x 362
Weight, kg 0,131
Package Instruction, windscreen, cable, 2 fasteners for microphone
Warranty, month 12
Color Black
Country of brand registration China
Production country China

CKMOVA DCM2 – This is a broadcast quality professional condenser gun microphone specially designed for professional video, film and live performance applications. The high pass filter prevents low frequency noise and ensures reliable sound quality. Power requires cable connection (48V phantom power) or AA battery, making it widely applicable. The microphone has a low power level indication and is made in a durable aluminum housing. With a frequency response of 20Hz to 20kHz, the DCM2 can accurately capture the sounds of nature. A 150 Hz high pass filter prevents low frequency noise for reliable sound quality. Whatever you need to record, the DCM2 delivers excellent sound quality.


Features


  • Broadcast quality condenser microphone designed for professional use in the film, video and television industries
  • Full frequency response, low-noise circuitry, and sound transparency make it ideal for video and film shooting
  • The 150Hz high-pass filter prevents low-frequency noise for reliable sound quality
  • li>
  • With a frequency response of 20Hz to 20kHz, the microphone can accurately capture nature sounds
  • Requires cable connection (48V phantom power) or AA battery for power
  • Rugged aluminum alloy housing
  • Includes low power indication
  • Microphone finished in black
  • Includes foam windshield, XLR output cable and two mounts
  • Two different mounts for DCM2 allow you to record audio in different shooting conditions
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Description

Reception radius:  up to 30 meters (line of sight). Frequency range: 60-18000 Hz. Signal to noise ratio: 98 dB-A. THD at 1 kHz 0.5%. Temperature conditions: from -10 to 55  °C. Transmitter output power: (min/max): Low 3 mW, High 15mW Transmitter synchronization: manual + “IR”. Battery : 2 AA (up to 6 hours of operation)
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Description

Vocal microphone, dynamic (with switch)

Quality and affordable microphone in a metal case. Perfect for schools, presentations or karaoke systems.


Type        Dynamic
Directional Pattern        Supercardioid
Frequency Response        50Hz - 15kHz
Sensitivity        -52 dBV/Pa (2.5 mV)
Impedance        500 Ohm
Maximum SPL        150 dB
Weight        300 Grams
Optional        XLR cable - 1/4" Jack 3 m and holder included
Warranty       12 months
Production       China

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Description


Type - Dynamic Pickup - Supercardioid Frequency response - 50 Hz - 16 kHz Sensitivity -54 dBV Impedance - 200 ohms Maximum SPL - 140 dB Body material - Zinc alloy Weight - 363 d Extras - Includes hard case, HM42A holder, YA2 adapter Warranty - 12 months Made in China

If you are a beginner vocalist or just want to try your hand at vocal performance, then SUPERLUX PRAC1 would be a good choice. In addition, if you are looking for a microphone for hosting events or for any kind of performance, you should pay attention to this model.

At the moment, this is one of the most popular vocal microphone models from the manufacturer Superlux with supercardioid orientation. The Superlux developers took care of the frequency response of the microphone and adapted it specifically for vocals. In addition, this model exhibits good resistance to acoustic feedback.

The body is made of zinc alloy. It has a classic shape, the base is painted black, there is no painting on the protective mesh. The microphone fits nicely in the hand, on the front side there is a microphone power lever, thanks to which you can turn the microphone on or off in time. The microphone comes with a convenient hard case for safely transporting the microphone, a stand holder and a YA2 adapter



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Description


Type - Dynamic Pickup pattern - Cardioid Frequency response - 60Hz - 15kHz Sensitivity - 54dB Impedance - 600 ohms Optional - Cable included Warranty - 12 months Made in China< br>
SOUNDKING SKEH002is a multi-purpose microphone with an excellent price-performance ratio. Live music, karaoke, matinee, performances from the stage, the whole list can be mastered by this model. Due to the cardioid directionality of the sound pickup, the microphone will only pick up the sound, the source of which will be directly in front of its capsule, which will protect against extraneous noise. The sensitivity of the presented model is at a sufficient level, so the microphone is able to voice even a quiet voice. The frequency range of this microphone model ranges from 60 Hz to 15 kHz. The appearance of the microphone has a classic shape. There is a power switch on the front side of the case, and an output for an XLR cable is located at the bottom. The strong, silvery metal mesh of the microphone reliably protects its capsule from damage and prevents unnecessary noise. Microphone comes with 1/4" XLR to Jack cable. 12 month warranty.

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Description

Universal dynamic microphone (with switch)

Samson R21S is a quality affordable microphone that is perfect for small stages, presentations or karaoke systems.

 

A reliable metal mesh protects the capsule from damage, a cardioid pickup pattern avoids unwanted extraneous overtones, and a complete cable (XLR - 1/4" Jack) and an adapter (1/4" Jack - 3.5 mm minijack) make it possible to connect this microphone to almost any modern audio equipment.    Microphone
    Microphone holder
    Microphone cable XLR - Jack length - 3.5 m
    Adapter 1/4" Jack - 3,5mm minijack

Type      Dynamic
Directional pattern        Cardioid
Frequency Response      80Hz - 12kHz
Sensitivity   >    1.8 mV/Pa
Impedance      500 ohm
Case Material   Metal
Weight  
217 gr
Optional  
Switch
Warranty 
12 months + 12 months free service
Production 
 China

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Description


< td> < td>12 months < /tbody>
Type Dynamic< /td>
Directional response Cardioid
Frequency range 50Hz - 18kHz
Sensitivity -52 ± 2 dBV
Impedance 500 ?
Maximum SPL 155 dB
Body material Zinc alloy
< b>Weight 320 g
Optional Includes HM9A holder, YA3 adapter
Warranty
Production China


Vocal Microphone, Dynamic

Designed specifically for presenters and vocalists, the TM58 Dynamic Microphone captures natural voices without coloration. Equipped with a specially tuned diaphragm and precise directionality, the TM58 delivers full and powerful vocals. This microphone is able to work even at high sound pressure levels, which makes it indispensable when performing on stage.  
Type Dynamic
< b>Directional response Cardioid
Frequency response 50Hz - 18kHz
Sensitivity -52 ± 2 dBV
Impedance 500 ohm
Maximum SPL 155 dB
Material body Zinc Alloy
Weight 320 g
Optional Includes HM9A holder, YA3 adapter
Warranty 12 months
Production China
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Description


 
Type Dynamic
< b>Directional response Cardioid
Frequency response 80Hz - 12kHz
Optional Switch
Warranty 12 months + 12 months free service
Production China

Contents:

  • Microphone
  • Table stand
  • Microphone cable (fixed) 3.5mm mini jack
  • 1/4" adapter Jack - 3.5mm mini jack
 

Multimedia dynamic microphone (with switch)

The Samson R10S dynamic microphone is an affordable and high-quality solution, perfect for karaoke , multimedia applications and even for mobile recording. The heart of this microphone is a neodymium magnet capsule with an anti-vibration mount, featuring a powerful output signal and a cardioid pickup pattern. As a result, the R10S is able to capture and convey every nuance of your voice while remaining resistant to feedback. The 80Hz-12kHz frequency range is ideal for vocal and multimedia applications, and the ability to handle even the highest sound pressure levels ensures that your voice is heard in any environment.

Included items:

  • Microphone
  • Table stand
  • Microphone cable (fixed) 3.5mm mini jack
  • Adapter 1 /4" Jack - 3.5mm mini jack
 
Type Dynamic
Directional response Cardioid
Frequency Range 80Hz - 12kHz
Optional Switch
Warranty 12 months + 12 months free service
Production China
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Description

Vocal microphone, dynamic (with switch)

Quality and affordable microphone in a metal case. Great for small stages, presentations or karaoke systems.


Type        Dynamic
Directional Pattern        Supercardioid HN
Frequency Range        80 Hz - 12 kHz
Sensitivity        -53dBV
Impedance        500 Ohm
Maximum SPL        130 dB
Case Material        Zinc Alloy
Weight        250 g
Optional        Case and microphone holder included
Warranty        12 months
Production        China

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Description



Type - Dynamic Pickup - Cardioid Frequency Response - 70Hz - 14kHz Sensitivity - -53dBV Impedance - 500? Max SPL - 130dB Body Material - Zinc Alloy Weight - 210 d Additionally - Case and microphone holder included

SUPERLUX ECOA1 - is a high-quality and affordable microphone model for a wide range of consumers.

This is a dynamic Microphone with cardioid directivity. The frequency of this microphone is from 70 Hz to 14 kHz, and the sensitivity is -53 dBV.

The appearance of the microphone is made in a conservative style. The base and protective mesh are painted in high-gloss black, and it weighs 210 grams. For ease of use of the microphone, a two-position switch is installed on the front. The microphone is connected using an XLR cable.

Despite the cost, the microphone is made very soundly. height. It will be a very good solution for purchasing to a school, kindergarten or cafe to connect to a karaoke system.

The package includes the microphone itself, a case and a microphone holder for installation on a special microphone stand.



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Description

Characteristics:


< /tr> < td>China
Microphone function Universal< /td>
Radio band Digital (2.4 GHz)
Microphone type Dynamic
Directional Pattern Omnidirectional
Connection Type Wireless
Microphone placement To camera, smartphone, computer, voice recorder
Recording mode Mono, Stereo
Frequency response 20 Hz - 20 kHz
Sensitivity -33 +- 3 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 80 dB
Connectors Jack 1/8”, USB Type-C
Time battery life, h 10
Range, m 100
Dimensions, mm 56 x 38 x 17
Weight, kg 0.03
Included accessories Transmitter, lavalier microphone, charging cable, connection cable, windscreen
Warranty, month 12
Color White
Brand Registration Country
Producer country China

CKMOVA Vocal X TX – is a wireless vlogger microphone that provides users with high-quality sound in almost any environment. This transmitter, together with the CKMOVA Vocal X RX receiver, is a simple solution for interviews and live broadcasts in combination with, for example, a SLR camera, smartphone or computer. The Vocal X TX microphone has a number of powerful features, including a 3.5mm mic/line input, switchable mono/stereo mode, switchable mic/line input mode, a unique windscreen design, and an OLED display. The compact and lightweight body clip transmitter has a built-in omnidirectional microphone and the option to connect an external AC-VM1 microphone for a variety of recording scenarios. The CKMOVA Vocal X TX transmitter combined with the CKMOVA Vocal X RX receiver can provide stable 2.4GHz signal transmission and high quality audio transmission.


Features


  • GFSK modulation
  • OLED display
  • Battery life is 10 hours
  • Button pairing with the receiver makes the pairing process simple and quick
  • Ability to record each channel together or separately for flexibility in post-production
  • Mic and line input option on the transmitter allows it to be applied to a variety of scenarios recording
  • Switchable internal and external microphone mode
  • Two methods of microphone recording provide users with a wide range of options
  • Unique windscreen design
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Description

Characteristics:


< /tr> < td>China
Microphone function Universal< /td>
Radio band Digital (2.4 GHz)
Microphone type Dynamic
Directional Pattern Omnidirectional
Connection Type Wireless
Microphone placement To camera, smartphone, computer, voice recorder
Recording mode Mono, Stereo
Frequency response 20 Hz - 20 kHz
Sensitivity -33 +- 3 dB (0 dB=1 V/Pa, at 1 kHz)
Signal-to-noise ratio 80 dB
Connectors Jack 1/8”, USB Type-C
Time battery life, h 10
Range, m 100
Dimensions, mm 56 x 38 x 17
Weight, kg 0.03
Included accessories Transmitter, lavalier microphone, charging cable, connection cable, windscreen
Warranty, month 12
Color Black
Brand Registration Country
Producer country China

CKMOVA Vocal X TX – is a wireless vlogger microphone that provides users with high-quality sound in almost any environment. This transmitter, together with the CKMOVA Vocal X RX receiver, is a simple solution for interviews and live broadcasts in combination with, for example, a SLR camera, smartphone or computer. The Vocal X TX microphone has a number of powerful features, including a 3.5mm mic/line input, switchable mono/stereo mode, switchable mic/line input mode, a unique windscreen design, and an OLED display. The compact and lightweight body clip transmitter has a built-in omnidirectional microphone and the option to connect an external AC-VM1 microphone for a variety of recording scenarios. The CKMOVA Vocal X TX transmitter combined with the CKMOVA Vocal X RX receiver can provide stable 2.4GHz signal transmission and high quality audio transmission.


Features


  • GFSK modulation
  • OLED display
  • Battery life is 10 hours
  • Button pairing with the receiver makes the pairing process simple and quick
  • Ability to record each channel together or separately for flexibility in post-production
  • Mic and line input option on the transmitter allows it to be applied to a variety of scenarios recording
  • Switchable internal and external microphone mode
  • Two methods of microphone recording provide users with a wide range of options
  • Unique windscreen design
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Radio band: VHF; Radio system type: 1 manual
Description


Receiving radius: up to 5-10 meters (line of sight). Frequency range: 60-12000 Hz. Signal to noise ratio: 70 dB-A. THD at 1 kHz 1%. Temperature conditions: from -20 to 50 °C. Number of channels: 1 channel. Transmitter output power: (min/max): 20 mW Battery: 2 AA (up to 6 hours of operation) Receiver housing: black-gray plastic Receiver dimensions: WxHxD: 120x28x80 mm Weight: 100 g   Included items: 1 receiver, 1 radio microphone, 1 instrument cable, 4 AA batteries for microphone, English manual.

Radio system DV audio H-1 - budget portable single low-frequency VHF radio system with one hand-held microphone in a plastic case, for domestic non-professional use. A simple non-vocal radio system that provides wireless voice transmission without ever-tangled or insufficient wires.   Features:   - The signal receiver combines the receiver in one compact package. It is equipped with a miniJack 3.5 connector for connection. - The receiver is equipped with RF indicators that show whether the transmitter is turned on. - the system has 1 channel for transmission. - the system operates in the frequency range 220MHz-270MHz. - power adapter not included. - The microphone and the base station are powered by two AA batteries, which provide up to 6 hours of uninterrupted operation. - handheld microphone plastic case
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Description


  • Portable VHF radio system
  • 2 tuned antennas for optimal reception
  • Radio frequency range: 169 -270 MHz
  • Microphone volume control
  • Frequency range: 50 Hz - 16 kHz
  • Signal-to-noise ratio: 90 dB
  • Outputs: 1/ 4” unbalanced Jack + balanced XLR
  • Range: 30m
  • Transmitter power: 2 x AA batteries (included)
  • Cable 1/4" jack - 1/4" jack included


VHF radio system with handheld dynamic microphone

The HL-7016 radio system is an affordable and convenient way to get rid of annoying wires. Handheld dynamic microphone with built-in transmitter is powered by 2 standard AA batteries and provides stable signal transmission up to 30 meters in line of sight.   The compact receiver is equipped with two telescopic antennas, radio and audio LED indicators, and a volume control. Rear-mounted XLR outputs and 1/4" jack outputs make it easy to connect the HL-7016 to most mixing consoles, home theater systems, karaoke systems or active speakers.   The HL-7016 is a great choice for use in auditoriums, small clubs,

Key features:

  • Portable VHF radio system
  • 2 tuned antennas for optimal reception
  • Radio frequency range: 169 -270 MHz
  • Microphone volume control
  • Frequency range: 50 Hz - 16 kHz
  • Signal-to-noise ratio: 90 dB
  • Outputs: 1 /4” unbalanced Jack + balanced XLR
  • Range: 30m
  • Transmitter power: 2 x AA batteries (included)
  • 1/4" cable jack - 1/4" jack included
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Description


Discontinued - UHF True Diversity receiver with two antennas for increased reliability and reception stability RF signal range - 520 - 862 MHz - 8 tunable channels Working distance - up to 100 m (in line of sight) Frequency range (audio) - 80 Hz - 18 kHz - Transmitter powered by two AA batteries - Built-in LCD display with backlight displays frequency, channel, audio levels, reception quality and other important information - Quick scan button for automatic selection of the optimal receive / transmit frequency - Sync function automatically synchronizes the receiver and transmitter frequencies - Carrier adjustment "Squelch" to eliminate unwanted noise and radio interference - Rotary volume control on the front panel Outputs - balanced XLR and unbalanced 1/4” jack Made in China Warranty - 12 months

ALTO RADIUS 2 00H is a new radio system that can give you the purest crystal sound and unique clarity of voice. This system is ideal for use at children's parties, weddings and other events, both outdoors and indoors. For added stability signal, this system uses a UHF True Diversity receiver with a pair of radio antennas. The most important thing is that the vocalist can be up to 100 meters (subject to line of sight), without signal dips and extraneous interference! A backlit LCD display is built into the station itself, which will always inform the user about the current state of the radio station and microphone: signal frequency, channel, current volume level and other important information. For greater comfort, a quick scan button is provided when pressed, which will automatically select the optimal frequency for receiving and transmitting a signal. The transmitter is powered by two AA batteries. The station has XLR and ? jack, and on the front panel there is a volume control and station tuning buttons.



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  • Type handheld microphone
    < li>Application Vocal
  • Signal Conversion Dynamic< /li>
  • Number of transmitters 1
  • Number of channels < /span>8
  • Microphone Directionality Cardioid
  • Frequency range UHF
  • Frequency range 70 Hz - 20 kHz
  • OutputsXLR; 1/4"
  • Operating frequency 797 - 806 MHz
  • Range 30 m
  • Transmitter material Plastic


Vocal radio system with HT45 handheld vocal transmitter and SR45 receiver operating in the range of 797-806 MHz.
AKG Perception Wireless 45 Vocal Set BD C1 is an amazingly easy-to-use, superb-sounding vocal radio system that includes a HT45 handheld transmitter that features a dynamic cardioid microphone and b>SR45 receiver with professional XLR and 1/4" outputs. The AKG SR45 is an analogue high performance space diversity wireless receiver for maximum ease of use with a flexible preset of up to 8 channels. It is ideal for instrumental and vocal players in small clubs, conference rooms, etc. In addition, the receiver has signal limiting and RF signal LED indicators for easier monitoring of system status. The best audio output is provided by professional XLR and 1/4" connectors. And for worldwide use, the receiver is equipped with a universal switch-mode power supply.
 
  • Type < span>with handheld microphone
  • Application Vocal
  • Signal conversion Dynamic
  • Number of transmitters 1
  • Number of channels 8
  • Direction microphone Cardioid
  • Frequency range UHF
    • Frequency Range70 Hz - 20 kHz
    • OutputsXLR; 1/4"
    • Operating frequency 797 - 806 MHz
    • Range 30 m
    • Transmitter material < /span>Plastic
    • Color Black
    < ul>
  • Package Package
  • Optional Signal-to-noise ratio : 105 dB-A; THD: 0.8% at 1kHz; Peak Deviation: 45 kHz; Bandwidth: 30 MHz; Simultaneous channels: 5 (recommended); Number of selectable frequencies: 8 fixed; Nominal deviation: 15 kHz; Battery life: 7 hours (LR6 AA alkaline), 8 hours (HR 6 AA (NiHM))
  • Warranty 12 months
  • Package HT45 transmitter, SR45 receiver, 1 x AA battery, power supply with US adapter/ UK/Europe, holder, instructions
  • Product dimensions (without packaging)20 x 4 x 13 cm (receiver) ; 5 x 24 cm (transmitter)
  • Unpackaged weight (net)0.4 kg (receiver); 0.2 kg (transmitter)
  • Batteries Yes
  • Battery type Power supply/AA battery
  • Number of batteries 1/1
  • Batteries included
 
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< tr> < tr>
Modulation FM
RF band (bottom), MHz 548
RF band (top), MHz 937.5
Number of receive frequencies 8
Number of preset frequencies 10
Bandwidth, MHz 24
Reproducible frequency range (low), Hz 50
Reproducible frequency range (top), Hz 16000
Signal-to-noise ratio, dB(A) 103
THD, % <= 0.9%
Audio connectors XLR, 6.3 mm jack
Audio output level (balanced) XLR: +18dB (max. .)
Audio output level (unbalanced) 6.3 mm jack: +12dB (max)
Power 12 VDC


Let your voice be heard by everyone! The XS WIRLESS 1-825 is a versatile and extremely easy-to-use wireless microphone system for vocalists, presenters, speakers and presenters.

FEATURES OF THE SENNHEISER XSW 1-825

You will be heard! XS WIRLESS 1-825 provides high-quality signal transmission in a stable UHF band and supports up to 10 parallel compatible transmission channels. The vocal set - XS WIRELESS 1-825 VOCAL SET - is a universal, very simple and unpretentious wireless microphone system both in setup and in operation, designed specifically for vocal performers, presenters, entertainers, speakers and presenters. The system is originally optimized for live sound and is equipped with handheld transmitters of the Evolution family with advanced microphone capsules - e825 (dynamic cardioid). In addition to the microphone, the standard package of XS WIRELESS 1-825 also includes a proprietary microphone holder and a compact stationary receiver with an intuitive control system that allows you to quickly and without any problems make all the necessary settings.

KEY BENEFITS OF THE SENNHEISER XSW 1-825 SYSTEM

  • refined e825 mic capsules provide superior live vocal performance
  • diversity antenna switch reception;
  • integrated antennas;
  • automatic frequency control and automatic synchronization via remote channel;
  • widest broadcast range with the ability to select specific UHF frequencies;
  • up to 10 compatible channels.

SENNHEISER XSW 1-825 SYSTEM PACKAGE

  • 1 EM-XSW receiver 1-825;
  • 1 handheld transmitter SKM 825-XSW;
  • 1 microphone holder MZQ 1;
  • 1 AC adapter NT 12-5 CW;< /li>
  • 2 AA batteries.
< th>Signal-to-noise ratio, dB(A) < td>200 x 42 x 127
Modulation FM
RF band (low), MHz 548
RF band (high), MHz 937 ,5
Number of receive frequencies 8
Number of preset frequencies 10
Bandwidth, MHz 24
Reproducible frequency range (low), Hz 50
Reproducible frequency range (top), Hz 16000
103
THD, % <= 0.9%
Audio jacks XLR, 6.3 mm jack
Audio output level (balanced) XLR: +18 dB (max)
Audio output level (unbalanced) 6.3 mm jack: +12 dB ( max.)
Power 12 VDC
Dimensions, mm
Transducer type condenser
Microphone directivity Supercardioid
Sensitivity, *-1 dBV/Pa 1.8
Maximum sound pressure level for THD 0.5%, dB 144
Analogue Yes
Cardioid Yes
Dynamic Yes
Manual Yes
Transmitter Yes
Receiver Yes
Radio Kits Yes
Sennheiser Yes
Vocal Yes
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Key features: - Portable VHF radio system - 2 tuned antennas for optimal reception - Radio frequency range: 182.1/199.6 MHz - Separate volume control for each microphone - Frequency range: 80 Hz - 15 kHz - Outputs: Common - 1/4” unbalanced Jack + 2 x 1/4” Jack individual outputs - Range: 40 m - Transmitter power: 9 V battery "Krone" (not included) - Cable 1/4" jack - 1/4" jack included, length 1.5 m

SUPERLUX VT96DD is a set of excellent radio microphones in the budget segment. A distinctive feature of any radio microphones is their freedom of action, in relation to their "wired" counterparts. The presented model can operate at a distance of up to 40 meters in line of sight, and for high quality sound reception, two antennas are used here, which increases the quality and signal level. The entire system operates in the VHF band. On the front side of the receiver, you can see two toggle switches for individually adjusting the volume level of each of the microphones.

In general, the system has a very attractive design, made in silver. The body of the microphones is made of an alloy of metals, just like the protective mesh. A socket is provided in the microphone housing. For installing 9V batteries of the “krone” type.

In general, the presented model will become a good partner for a novice vocalist for live performances, as well as for holding special events of any kind.



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'- Portable VHF radio system - 2 tuned antennas for optimal reception RF range - 177/177.6 MHz - Separate volume control for each microphone Frequency range - 80 Hz - 15 kHz Outputs: Common - 1/4” unbalanced Jack + 2 x 1/4” Jack individual outputs Range - 40 m included, length 1.5 m Made in China Warranty - 12 months

SUPERLUX VT96EE is a set of wonderful budget radio microphones. A distinctive feature of any radio microphones is their freedom of action, in relation to their "wired" counterparts. The presented model can operate at a distance of up to 40 meters in line of sight, and for high quality sound reception, two antennas are used here, which increases the quality and signal level. The entire system operates in the VHF band. On the front side of the receiver, you can see two toggle switches for individually adjusting the volume level of each of the microphones. In general, the system has a very attractive design, made in silver. The body of the microphones is made of an alloy of metals, just like the protective mesh. A socket is provided in the microphone housing. For installing batteries on 9V type "krone". In general, the presented model will become a good partner for a novice vocalist for live performances, as well as for celebrations of any kind. 



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VHF radio system with two dynamic handheld microphones

The HL-7020 radio system is an affordable and convenient way to get rid of annoying wires. Two handheld dynamic microphones with built-in transmitters are powered by standard AA batteries and provide stable signal transmission up to 30 meters in line of sight.   The compact receiver is equipped with two telescopic antennas, LED indicators for radio and audio signal, as well as individual volume controls for each of the microphones. The XLR and 1/4" jack outputs on the rear panel make it easy to connect the HL-7020 to most mixing consoles, home theaters, karaoke systems or active speakers.   The HL-7020 is a great choice for use in auditoriums, small clubs, houses of worship, conferences or karaoke

Main features:

  • Portable VHF radio system
  • 2 tuned antennas for optimal reception
  • Radio frequency range: 169 -270 MHz
  • Individual volume control for each microphone
  • Frequency range: 40 Hz - 16 kHz
  • Signal-to-noise ratio: 90 dB
  • < li>Outputs: 1 x 1/4” unbalanced Jack (mix) + 2 x balanced XLR
  • Range: 30m
  • Transmitter power: 2 x AA batteries (included)
  • Cable 1/4" jack - 1/4" jack included
Dimensions< /td> 225 x 120 x 35 mm (receiver)
Warranty 12 months


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Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier - Advanced classic amplifier using SMD technology AB class, toroidal power supply Power - 2 * 250W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors - Jack-Speakon Mixing console - 4 mono universal channels using a split connector JACK-CANON Sensitivity control for each channel Three-band tone block for each channel Selection per internal effect processor Balance control for each channel Volume slider for each channel Built-in 24bit 48kHz voice effect processor Uses enhanced 99 DSP programs Hall/Chorus/Room/Delay/Rotary speaker/Plate/Flange/Vocal Parameter control for each effect Volume slider effect Built-in MP3-USB player with a large screen and recording function Built-in Bluetooth interface for connecting and playing music Two-way tone block for built-in players MP3-Bluetooth volume level slider Phantom power for +48V condenser microphones 12-band LED signal output level indicator volume control Sliding master master volume control

Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier- Improved classic amplifier using SMD class AB technology, toroidal power supply - 2 * 250W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors - Jack-Speakon Mixing console - 4 mono universal channels using a split connector JACK-CANON Sensitivity control for each channel Three-band tone block for each channel Selection to internal effect processor Balance control for each channel Volume slider for each channel Built-in 24bit 48kHz voice effect processor Uses enhanced 99 DSP programs Hall/Chorus/Room/Delay/Rotary speaker/Plate/Flange/Vocal Parameter control for each effect Level slider effect volume Built-in MP3-USB player with large screen and recording function Built-in Bluetooth interface for connecting and playing music Two-way tone block for built-in players MP3-Bluetooth volume level slider Phantom power for +48V condenser microphones 12-band LED signal output level indicator Headphone connection with the ability to adjust the volume Slider master master volume control
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Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier - Advanced classic amplifier using SMD technology AB class, toroidal power supply Power - 2 * 250W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors - Jack-Speakon Mixing console - 4 mono universal channels using a split connector JACK-CANON Sensitivity control for each channel Three-band tone block for each channel Selection per internal effect processor Balance control for each channel Volume slider for each channel Built-in 24bit 48kHz voice effect processor Uses enhanced 16 DSP programs Hall/Chorus/Room/Delay/Rotary speaker/Plate/Flange/Vocal Parameter control for each effect Volume slider effect Built-in MP3-USB player with a large screen and recording function Built-in Bluetooth interface for connecting and playing music Two-way tone block for built-in players MP3-Bluetooth volume level slider Phantom power for +48V condenser microphones 12-band LED signal output level indicator volume control Sliding master master volume control

Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier- Improved classic amplifier using SMD class AB technology, toroidal power supply - 2 * 250W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors - Jack-Speakon Mixing console - 4 mono universal channels using a split connector JACK-CANON Sensitivity control for each channel Three-band tone block for each channel Selection to internal effect processor Balance control for each channel Volume slider for each channel Built-in 24bit 48kHz voice effect processor Uses enhanced 16 DSP programs Hall/Chorus/Room/Delay/Rotary speaker/Plate/Flange/Vocal Parameter control for each effect Level slider effect volume Built-in MP3-USB player with large screen and recording function Built-in Bluetooth interface for connecting and playing music Two-way tone block for built-in players MP3-Bluetooth volume level slider Phantom power for +48V condenser microphones 12-band LED signal output level indicator Headphone connection with the ability to adjust the volume Slider master master volume control
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Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier - Advanced classic amplifier using SMD technology AB class, toroidal power supply Power - 2 * 250W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors-Jack-Speakon Mixing console - 4 mono universal channels using Jack (line) - CANON (mic) Sensitivity control for each channel Three-way Tone control for each channel Five-band EQ on the master output Selection to the internal effect processor Balance control for each channel Volume slider for each channel Built-in 24bit 48kHz voice effect processor Uses improved 99 DSP programs Hall/Chorus/Room/Delay/Rotary speaker/Plate/Flange /Vocal Parameter control for each effect Effect level slider Built-in MP3-USB player with screen MP3 player level slider Control +48V phantom power for condenser microphones master volume control

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Power mixing console (mixer with built-in amplifier) The latest development in accordance with the most stringent quality requirements Amplifier - Advanced classic amplifier using SMD technology AB class, toroidal power supply Power - 2 * 300W (4ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors-Jack-Speakon Mixing console - 8 mono universal channels using Jack (line) - CANON (mic) Sensitivity control for each channel Two-way Tone control for each channel Five-band EQ for master output Internal effect selection Processor Balance control for each channel Volume slider for each channel Built-in 16bit voice effect processor Uses 16 DSP programs Parameter control for each effect Effect volume slider Built-in MP3-USB player with screen Rotary MP3 player level control Phantom power for +48V condenser microphones 5-band ice output level indicator Headphone connection with volume control and source selection Sliding dual master master volume control amplifier) The latest development in accordance with the most stringent quality requirements Amplifier - Improved classic amplifier using SMD technology AB class, toroidal power supply Power - 2 * 300W (4 ohm) Playback frequency - 20Hz-20kHz Forced cooling with a full set of protections Output connectors - Jack-Speakon Mixing console - 8 mono universal channels using JACK (line) - CANON (mic) connector Sensitivity control for each channel Two-band tone block for each channel Five-band equalizer for master output Selection for internal effect processor Balance adjustment for each channel Slider volume control for each channel Built-in 16bit voice effect processor Uses 16 DSP programs Parameter control for each effect Slider effect level control Built-in MP3-USB player with screen Rotary MP3 player level control Phantom power for +48V condenser microphones 5-bar LED output level indicator Headphone connection with volume control and source selection Sliding dual master master volume control
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Active mixing console. 4 mono + 1 stereo. 3-band equalizer on each channel. 7-band EQ output. Effector with 16 digital effects. USB/SD player. bluetooth. Phantom power 48 V. Built-in amplifier 2 channels of 350 W.

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Active mixing console. 4 mono + 1 stereo. 3-band equalizer on each channel. 7-band EQ output. Effector with 16 digital effects. USB/SD player. bluetooth. Phantom power 48 V. Built-in amplifier 2 channels x 250 W.

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'- 6 input channels - XLR mic and line 1/4" Jack input per channel - 1 stereo RCA line input - Per input channel 2-band EQ, send to effect strip - Rotary master level control - 5-band graphic master EQ - Built-in reverb with adjustable delay time - Additional REC outputs for recording - Footswitch jack - Headphone output - Built-in USB media player, FM radio - Built-in power amplifier 130W, 4 Ohm

ARCTIC M613PUFis a fairly compact active mixing console.The built-in amplifier makes the task of any sound engineer easier, since the need to purchase an external amplifier is greater No. Its power is 130W and 4 ohm impedance.The console has six input channels XLR or? Jack, and one stereo line input, type RCA.All channels have a two-band equalizer for adjusting the high and low frequencies, as well as a reverb and loudness control . And to adjust the overall output signal, this model of the mixing console has a five-band graphic equalizer.

An excellent feature, as for miniature mixers, is the built-in USB / SD card player for playing mp3 files, as well as FM radio. Among other things, this mixer model has additional REC outputs for recording, as well as a port for connecting a foot controller. For the convenience of the sound engineer, the mixer has a headphone output. Of the effects in this console, there is an excellent reverb with a controlled delay time. All components are made of high quality materials and ensure a long and reliable service life of the device.



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  • Channels: 120 mono, 60 mix, 24 matrix,
  • 96kHz processing,
  • < li>2 x 15" touch screens,
  • Faders: 38 (12+12+12+2),
  • Selected Channel,
  • Custom Fader banks: 6 x 2 (per block),
  • User Defined keys: 12 x 4 banks,
  • User Defined knobs: 4 x 4 banks,
  • Touch and Turn: 2,
  • Analog I/O: 8 / 8,
  • Slots: 3 x HY, 2 x MY,
  • AES/EBU: 4 in / 4 outs (with SRC),
  • GPI Port (8 in / 8 out),
  • Word Clock In/Out,
  • MIDI In/Out,
  • 5 USB (1 for 2-track recording),
  • Video Out (DVI-D),
  • TC In,
  • Two built-in power supplies


More than a decade has passed since the Yamaha PM1D and PM5D set the direction for digital live sound consoles, and now it's time for a new flagship that satisfies significantly increased modern requirements for quality and versatility when working with live sound. The Yamaha RIVAGE PM7 inherits the DNA that made the PM series consoles the darling of demanding audio engineers around the world, delivering advanced features and performance that take Yamaha products to new heights in digital mixing consoles.

  The RIVAGE PM7 system consists of a control panel with a built-in CSD-R7 DSP module, RPio622 I/O stageboxes, three types of RY cards and two types of HY cards. The CSD-R7 is identical in size and layout to the "large" control surface of the RIVAGE PM10 CS-R10. With built-in DSP, RIVAGE PM7 offers similar high standards of performance and workflow efficiency in a relatively compact, portable system. Yamaha's PM brand continues to innovate and grow the live sound industry.   The ideal starting point for creative sound work is transparent, uncolored sound. All Yamaha mixers are built on this philosophy to allow engineers to accurately "see" the sound on stage, without coloration, and then add creative touches as needed. Yamaha's unwavering commitment to this concept continues with the RIVAGE PM7.   [embed]https://www.youtube.com/watch?v=q2ga3z-mtZk&feature=emb_logo[/embed ]

Two types of I/O rivers for perfect sound

I/O (input-output) modules for RIVAGE PM7, each of which works with its own type of audio network.

The first type is TWINLANe, with optical cable connection for simultaneous transmission of up to 400 audio channels. Combinations of the RPio622 and/or RPio222 I/O module and the HY256-TL or HY256-TL-SMF audio interface cards allow you to pass input signals from hybrid mic preamps that take Yamaha's concept of "natural sound" to new heights, as well as digital modules with flawless Rupert Neve Designs VCM transformers and SILK processing, which are amazingly musical and atmospheric.   The second digital audio protocol is Audinate's Dante, which is already the standard for CL and QL series digital consoles, as well as a number of other Yamaha products. The Dante-compatible Rio3224-D2 and Rio1608-D2 I/O modules, combined with the HY144-D expansion card, provide high-quality audio for the RIVAGE PM series.   Accurately and cleanly rendered stage sound provides the ideal basis for creative work.  

Rupert Neve quality for all sound engineers

Equipped with RY-ML-SILK analog cards, the RPio622 and RPio222 I/O modules offer outstanding emulations transformer circuitry and SILK processing featured in Rupert Neve Designs mic preamps, immaculately modeled using Yamaha VCM (Virtual Circuitry Modeling) technology.     Sound engineers appreciate Rupert Neve mic preamps for their pleasant natural compression and saturation. SILK processing is able to take this seductive sonic platform to the next level. Sounds that tend to get lost in the mix are given new life and brilliance with lush analog character.     The SILK processing function on the RY16-ML-SILK audio interface board with hybrid mic preamps offers two sound options: "RED" for bright, punchy sound and "BLUE" for solidity and punch. There is also a TEXTURE control that musically shapes the harmonic components to best capture the source. The benefits of SILK processing also become apparent when working with EQs and reverb plugins.     RIVAGE PM7 makes the coveted sound of Rupert Neve preamps available to a wider range of sound engineers who can use it in their creative work.

Built-in Dan Dugan Automixer

Working closely with Dan Dugan Sound Design, Dan Dugan's award-winning microphone automixer is built into RIVAGE PM digital mixing systems using state-of-the-art algorithms. Setup is simple: activate the processor in the insert for up to 64 channels to automatically optimize microphone gain distribution. The gain control is very smooth and natural, as if the mix is being controlled by experienced operators. The system also effectively reduces problems with feedback and comb filters. For speech tasks, especially in non-scripted situations, this allows the operator to focus on the details, not the faders, to create a high quality mix.    

Convenience of work

The mixing console is the main instrument of the sound engineer. Convenience and responsiveness are critical, especially in today's booming live sound industry. That's why Yamaha digital consoles are designed to provide a unique combination of analog-style performance with cutting-edge, state-of-the-art digital technology available today. The worldwide recognition of Yamaha digital mixing consoles is a testament to their success, and the RIVAGE PM7 continues that tradition. It shares the same dimensions and control panel as the flagship RIVAGE PM10 and offers an identical user interface. With convenience and features fully geared towards today's soundstage, the RIVAGE PM series allows sound engineers to focus on sound and enjoy the creative process.

Yamaha's Ultimate Selected Channel Interface

Key to Yamaha's legendary digital console functionality is the Selected Channel concept, which provides direct access to the parameters of any channel selected using the SEL key. RIVAGE PM7's Selected Channel inherits the full-featured configuration of the flagship RIVAGE PM10, providing direct, quick access to all channel parameters. Encoders, buttons and indicators in a common layout make the most of available panel space for ease of use in all conditions and situations.

Synergy of touch displays and fader strips for intuitive operation

The RIVAGE PM7 control surface has three groups of 12 faders to which you can assign channels in the desired configuration. The two left-most fader groups operate with large touchscreen displays on the top panel, providing an expanded Centralogic operating environment. Channel strips run vertically into displays for clear, logical control. The ability to manage channels in groups of 12 provides flexibility for virtually any workflow.
 

A monitor section that can handle any task

Monitoring needs for live sound can vary greatly from job to job, so a flexible monitoring system is needed here. The RIVAGE PM7 has two monitor/cue outputs with independent level control, and up to eight source combinations can be stored for instant recall. The monitor section also offers delays, as well as an eight-band parametric EQ. An insert point before the EQ block allows you to use plug-ins in the monitor section. The carefully thought out and flexible features in the monitoring section of RIVAGE PM7 make it easy to adapt to any situation.  

Convenience is in the details

The main encoders on the RIVAGE PM7 panel are surrounded by horseshoe-shaped indicator rings that display the current settings. The shape of the rings is designed to provide optimum visibility when, for example, the operator's view of the encoders is from below, which is often the case when multifunction encoders are positioned above the fader bars. The unique shape also ensures that the indicators at the 12 o'clock position are not hidden behind the encoder knob. Another important feature is the shape of the fader tips, developed from years of experience designing and honing mixer interfaces. The fader tips are ergonomically contoured for precise, comfortable control no matter where your finger touches the contour of the knob. This is a feature that can only be truly appreciated by touching it yourself. Overall, the console is designed with touchscreen displays and a "Selected Channel" section on the raised top panel to provide optimal visibility from the engineer's position, as well as easy access to all controls. The stage and the console are within view at the same time. The touchscreens are also within easy reach for effortless access.
 

Improved functionality

One of the most important advantages of modern digital consoles is the ability to store scenes and settings in memory. But different engineers can vary widely in mixing styles and ideas about how to use scene memory, so this feature must be implemented in the most flexible way.   The RIVAGE PM7 system provides many ways to "filter" scene memory recall operations. Focus recall, a feature that is already familiar to Yamaha console users, allows you to specify the types of data to be recalled. Recall Safe works differently, preventing certain data types from being called. The "Isolate" filter now allows you to specify entire channel modules, including EQ libraries and dynamics, etc., that will be protected from memory recall operations. This means that even if certain channel parameters are protected by Recal Safe, for example, you can instantly isolate and protect the entire channel without changing the Recal Safe settings. This is a feature that will be of great value in situations where scene memory is widely used.  

Overlay filter to quickly respond to sudden changes

The Overlay filter is another new feature that can greatly expand the usefulness of scene memory. This filter can be “overlayed” on the current mix to apply offsets to fader positions and send levels to mixes/matrices regardless of the scene settings called out. An example of how this can be used is the appearance of an unscheduled performer requiring an adjustment in the level of the corresponding channel. Using the Overlay filter, you can make a temporary relative level change on that channel and then instantly return to the original level. The Overlay filter will prove its worth in situations that require sudden changes, as well as the ability to easily revert to the original settings.

Functions to work with in broadcast applications

RIVAGE PM7 supports 5.1-channel surround panning and monitoring for broadcast applications and has two surround buses for efficient international broadcasting. There is also a Mix Minus feature that allows you to remove a specific source from your broadcast with just a few simple steps.

Two convenient recording approaches live sound

Professional quality real-time recording is becoming an important feature in live sound consoles. In addition to convenient 2-channel USB recording, the RIVAGE PM7 supports multi-track recording via Dante audio networking to meet the widest possible range of serious recording needs.   The 2-track USB recording function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on a flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without worrying about the system's sample rate. Recording or playback of WAV or MP3 files is supported.   Multitrack recordings can be made to a computer running a DAW application via the Dante audio network. High-resolution recording up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a Dante Accelerator PCIe expansion card. With Dante Virtual Soundcard, the maximum number of input/output tracks is 64.   Multi-track recordings of rehearsals made in this way can be used for a "virtual sound check" later when the performers are not available. Input patching for all required channels can be switched in one operation for recording and virtual sound check. Recorder playback and stage signals can even be combined as needed.  

Key features:

 
  • Channels: 120 mono, 60 mix, 24 matrix,
  • 96kHz processing,
  • 2 x 15" touch screens,
  • Faders: 38 (12+12+12+2),
  • Selected Channel,
  • Custom Fader banks: 6 x 2 (per block),
  • User Defined keys: 12 x 4 banks,
  • User Defined knobs: 4 x 4 banks,
  • Touch and Turn: 2,
  • Analog I/O: 8 / 8,
  • Slots: 3 x HY, 2 x MY,
  • AES/EBU: 4 in/4 out (with SRC),
  • GPI port ( 8 in / 8 out),
  • Word Clock In/Out,
  • MIDI In/Out,
  • 5 USB (1 for 2-track recording),
  • Video Out (DVI-D),
  • TC In,
  • Two built-in power supplies
      < /tr> < tr>
Analog inputs 8 in / 8 out
Digital outputs AES/EBU: 4 out (with SRC), GPI (8 out), Word Clock Out, Video Out (DVI-D)
MIDI MIDI In/Out
Faders 38 (12+12+12+2)
Digital inputs AES/EBU: 4 in (with SRC), GPI (8 in), 5 USB (1 for 2-track recording)
Dimensions 1,549 x 417 x 848 mm
Weight 94 kg
< b>Optional 15" touch panel x 2
Warranty< /td> 12 months + 12 months free service
Production Japan
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Description


  • 8 mic/line input channels and 8 analog output channels
  • 16 channels of receiving and transmitting digital data via YDIF
  • 16 Dante channels
  • 1 MY card slot
  • 1 SD card slot for music production


  • The MTX series digital processors feature an impressive array of programmable features specifically designed to enhance the performance and sonic performance of commercial audio systems. Primarily designed for multiple locations in commercial installations, the MTX Series matrix processors provide the flexible signal processing needed for many commercial environments such as retail, restaurants, bars or banquet halls. Responsible for the core processing at the heart of your sound system, MTX processors also allow you to configure, program and control your entire sound system through an intuitive interface and included MTX Editor software. The MTX series consists of two models with different DSP parameters and expansion options, allowing the processors to meet the requirements of a wide range of commercial applications and areas.

    Ideal DSP for SMBs

    The MTX series digital signal processors have an impressive array of programmable features specifically designed to enhance the performance and sonic performance of commercial audio systems. We've paid particular attention to reliability and ease of use, exemplified by features such as an automated Feedback Supressor that detects and eliminates acoustic feedback, and an Auto Gain Control that maintains optimal output levels when levels input signals are different. For office and public warning systems, MTX digital processors have such useful features as Proirity Ducker - automatic reduction of the output signal level to a predetermined level when the input signal from a separate sound source exceeds the threshold; and Ambient Noise Compensator - a function that allows the system to adapt to the level of changing noise. And the built-in speaker processor not only optimizes speaker performance and sound quality, it also makes it easy to create and modify audio system configurations.

    New YDIF Digital Audio Transfer Format

    All MTX processors feature the new YDIF Digital Audio Transfer Format, a Yamaha patented technology that provides up to 16 channels of data transfer and world clock synchronization over a standard CAT5 Ethernet cable. The YDIF format can be used to cascade multiple MTX processors or to power XMV series power amplifiers with cabling up to 30m.

    Versatile I/O configuration and SD card slot

    input and output jacks, which will be very useful for many applications: 8 mono mic/line input jacks, 2 stereo line input jacks, 16 YDIF digital jacks; and output connectors: 8 linear mono and 16 digital YDIF. MTX processors also have an SD card slot for MP3 and WAF audio playback from an SD card. The Event Scheduler function allows you to play audio data for announcements, announcements and announcements or as music using external devices as a remote control at a specified time, as well as select presets stored in the MTX.

    Built-in Dante port and MY slot for expansion for large installations (available on MTX5-D model only)

    Dante is Audinate's latest networking technology, specifically designed to provide multi-channel digital signal transmission without distortion or delay to several locations over relatively long distances. With a built-in Dante port, the MTX5-D provides 16-channel bi-directional digital audio with just a single Ethernet cable. The MTX5-D also connects easily to other Dante-enabled devices such as the CL series mixing consoles or XMV series power amplifiers, making it much easier to create and configure large room sound systems. MTX5-D processors provide even more expansion options with the MY slot, which allows you to easily and quickly work with a large number of digital protocols and audio formats, as well as providing the full potential of working with MY expansion cards.

    Flexible control

    With the DCP digital controllers and the MTX series, you can set the volume level and any other settings of multiple locations at a remote distance. You can combine up to eight DCP controllers over a maximum length of 200m, providing great installation flexibility. The MTX processors also have a protocol port compatible with touchpanels such as AMX/Crestron version 1.1 and GPI ports for standard controllers. iPhone and iPod touch owners can download the new Wireless DCP app to remotely control their sound system using the simple and intuitive interface of an Apple device.

    Two Digital Effects Processors

    The MTX processors have two built-in digital effects processors that will prove useful in the entertainment industry, especially in banquet halls. Reverb and echo effects can be easily programmed and assigned using the virtual MTX Editor, eliminating the need for additional console hardware.

    Easy parameter setting and adjustment with MTX Editor

    MTX Editor is software that allows you to create and manage plant parameters through an intuitive interface that displays all workflows and system configuration. The MTX Editor also features optimized parameter presets for Yamaha's dedicated speakers to improve sonic performance.

    Digital Control Panel - DCP Series

    DCP controllers provide flexible external control of certain functions, such as recall presets, different levels, or SD card file playback. Three different controller models allow you to control models that have different switch and volume control configurations. All three models are available in both American and European standard sizes, designed to meet the specifications of most regions around the world.

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Analog inputs - 32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) Analog outputs - 16 (XLR) Equalizer - 4- bandpass fully parametric equalizers Digital outputs - 34 x 34 USB audio interface, 2-track recording on USB flash drive Frequency response - 20 Hz - 20 kHz Sample rate - 48 kHz Faders - 100 mm motorized, resolution = 10-bit, +10dB to -138dB , –?dB all faders THD - Less than 0.05% 20Hz–20kHz @+4dBV 600, INPUT to OMNI OUT, Input Gain=Min. (Measured -18dB/oct. filter @80kHz) Dynamic Range - 110dB typ., DAC, 107dB typ., INPUT to OMNI OUT, Input Gain=Min. Channel Crossover - -100 dB (Measured -30 dB / oct. filter @ 22 kHz), adjacent INPUT / OMNI OUT channels, Input Gain=Min Dimensions - 866 x 225 x 599 mm Weight - 20 kg Optional - Temperature: 0 -40 °C, storage: -20 - 60 °C Warranty - 12 months + 12 months free service

April 15, 2015 at the Prolight + Sound 2015 international exhibition in Frankfurt, Yamaha introduced new series of digital mixing consoles, heralding a new, best-in-class solution for small to medium-sized audio applications.

Yamaha has largely redefined digital mixing for live performance and installations with the RIVAGE PM10 series of consoles , CL and QL. Now, with the TF Series, the company is opening up its cutting-edge technology to an even wider range of users, with advanced capabilities and Yamaha's highest levels of reliability at an affordable price range. With key features aimed at both new users and experienced professionals, the TF series offers the tools and capabilities of its large-scale CL/QL brothers even for small and budget sound reinforcement applications.

The TF series includes three compact , productive digital mixing consoles. The TF5, TF3 and TF1 respectively feature 33, 25 or 17 motorized faders along with 32, 24 or 16 analog inputs on the rear panel with high quality Yamaha D-PRE™ preamps for the first time in a digital console. These features provide significantly improved support for live sound applications where global settings changes must be made on the fly.

In total, the consoles have 48 inputs (TF5 and TF3, 40 for TF1), including 2 analog stereo pairs / digital USB and two returns. Enhanced live recording capabilities include up to 34 x 34 channels of recording and playback via USB 2.0 interface and 2 x 2 to a USB flash drive. All this, plus the seamless operation of external I/O devices, makes the TF series an excellent solution for a wide range of applications.

TouchFlow Operation™ is a new approach to console control that combines elements of advanced user interfaces Yamaha with a touch panel that allows operators to work with musicians on stage quickly and easily. Experienced engineers and novices alike will find it easier and faster than ever to achieve the perfect mix with TF!

In addition, in collaboration with leading microphone manufacturers such as Shure, Sennheiser and Audio-Technica, a whole range of presets have been created for TF for input and output channel settings. Input channel presets have been created to match the ranges of musical instruments and voices, covering parameters such as HA Gain, EQ, dynamics and more, down to details such as channel name and color indication. The output channel presets include parameters optimized for use with in-ear monitoring (IEM) and Yamaha speakers, with variations for different environments and room sizes. This is a huge benefit for novice users, while experienced engineers will appreciate the improved speed and efficiency of the systems.



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Description


Allen & Heath ME-500 is designed for ME digital personal monitoring system. The device is directly (Plug and Play) connected to Allen & Heath (dLive, GLD, Qu and Aviom A-Net 16), and through the hub ME-U can be used with consoles from other companies, such as Digico, Yamaha and Avid. A maximum of eight user presets (pan, mute, levels, key assignment) can be saved and recalled for mixes, shows and users. Presets can be saved to a USB drive for use in other mixers. The panel includes a display with adjustable brightness, 16 backlit Select buttons, Solo and Mute buttons. There is also a level control, limiter, 2-band EQ (output), encoder for control and navigation. Headphones are connected via minijack and 1/4 inch connectors, monitor speaker system - via a separate output. An unlimited number of ME-500s can be used within one monitoring system. The EtherCon connectors enable daisy-chaining of mixers, and star connection with ME-U or network switch (PoE support).

16-channel mixer Allen & Heath ME-500 is designed for ME digital personal monitoring system. The device is directly (Plug and Play) connected to Allen & Heath (dLive, GLD, Qu and Aviom A-Net 16), and through the hub ME-U can be used with consoles from other companies, such as Digico, Yamaha and Avid. A maximum of eight user presets (pan, mute, levels, key assignment) can be saved and recalled for mixes, shows and users. Presets can be saved to a USB drive for use in other mixers. The panel includes a display with adjustable brightness, 16 backlit Select buttons, Solo and Mute buttons. There is also a level control, limiter, 2-band EQ (output), encoder for control and navigation. Headphones are connected via minijack and 1/4 inch connectors, monitor speaker system - via a separate output. An unlimited number of ME-500s can be used within one monitoring system. Using EtherCon connectors, you can connect mixers in a chain, and using ME-U or a network switch (PoE support) - a star connection.
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Digital mixing console for podcasts and music, 6 XLR/TRS combo mic/line inputs 1/ 4" + 2 stereo line inputs TRS 1/4", low-cut filter (75 Hz), Hi-Z / Pad switch on input channels, 3-band EQ on each channel, master output 2 x XLR (balanced) / TRS 1 /4" + 3x TRS 1/4" monitor outputs built-in effects processor 8 programs, built-in SD card recorder, USB audio interface for DAW 12in/4out, iOS device connectivity, 6 assignable pads for triggering sounds, 7 user scenes , mains operation or 4 x AA batteries, 268 x 282 x 74 mm, weight 1.56 kg. Includes TRRS cable (connect to mobile devices as an interview headset).


Features:


Digital mixing console for podcasts and music.

6 XLR/TRS 1/4" combo mic/line inputs + 2 TRS 1/4" stereo line inputs.

Cutoff low pass filter (75 Hz).

Hi-Z/Pad switch on input channels.

3-band EQ on each channel.

Master output 2 x XLR (balanced)/ TRS 1/4" + 3 monitor outputs TRS 1/4".

Built-in effects processor 8 programs.

Built-in SD card recorder.

USB audio interface for DAW 12in/4out.

Ability to connect to iOS devices.

6 assignable pads to trigger sounds.

7 user scenes.

Powered by mains or 4 x AA batteries.

Dimensions: 268 x 282 x 74 mm.

Weight: 1.56 kg.

TRRS cable included (connect to mobile devices as an interview headset).

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Description

Zoom LiveTrak CBL-20 is an ethylene vinyl acetate case for ZOOM L-20 and ZOOM L-12 digital mixers and necessary accessories (power supply, cables and SD cards.)

Zoom CBL-20 features:


  • Internal elastic straps protect L-20 or L-12 from damage and shock;
  • < li>An additional internal compartment for the L-12 also has a shockproof function;
  • It comes with a padded shoulder strap for carrying the case.
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Description

Zoom LiveTrak CBL-20 is an ethylene vinyl acetate case for ZOOM L-20 and ZOOM L-12 digital mixers and necessary accessories (power supply, cables and SD cards.)

Features:


  • Internal elastic retention straps protect L-20 or L-12 from damage and shock
  • Additional internal compartment for L-12 also has a shockproof function
  • Includes a padded shoulder strap
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Description

Key features:


  • Power supply: 220V – 240 V AC, 50/60 Hz
  • Frequency response: 20 Hz – 20 kHz
  • Distortion: < 0.03%
  • Power consumption: 14W
  • Signal-to-noise ratio: 90 dB (or more (IHF-A weighted)
  • Inputs: 6 mono input channels, which can be selected separately from 3 input types for each channel: LINE, MIC or PHANTOM, LINE: -10 dBu, 2.4 kΩ, MIC: -46 dBV, 2.4 kΩ, PHANTOM: - 46 dBV, 2.4 kΩ, +24 VDC / 10 mA power supply, electronically balanced, removable terminal block (3 pins), telephone jack, 3 stereo inputs (L, R): -10 dBV / 10 k?, RCA rose , stereo mini jack
  • Outputs: 2 mono outputs: 0 dBV, electronically, fully balanced, removable terminal block (3 pins); 1 stereo output (L, R): 0 dBV, electronically balanced, removable terminal block (3 pins) 1 stereo recording output (L, R): -10 dBV, RCA jack clip (ACG), auto mute
    Sampling frequency: 48 kHz/24 bit
  • Finish: aluminum, steel plate, black
  • Dimensions: 420 x 44 x 341.3 mm (W x H x D)
  • Weight: 4 kg

Package contents


  • Power cord (2m) x 1
  • Removable plug (3 pins) x 10
  • Rubber feet x 4
  • Rack mount bracket x 2
  • Screw (M3 x 8) x 6
  • Rackmount screw (5) x 12) x 4

M-633D — This is a stereo mixer equipped with 12 input channels (6 mono inputs and 3 stereo inputs) and 6 output channels (2 mono outputs, 1 stereo output and 1 stereo recording output). It has 2 mono channel and 1 stereo channel bus lines, allowing you to assign each input signal to each bus line individually. It has digital signal processing functions such as auto resonance control, feedback suppression (FBS), auto write protection (ACG) and auto mute (AUTO MUTE).


It performs advanced acoustic compensation through automatic processing without the use of an acoustic meter. It can be installed in an EIA component rack (1U size).


Features


  • One-touch operation
  • Automatic resonance control (ARC) with room mode frequency detection and inverse response curve for compensation
  • Automatic protective tape (ACG)
  • Automatic feedback suppressor (FBS)< /li>
  • Auto mute function
  • Clear sound
  • 1 height unit

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Number of channels: 1-6; Controls: Rotary
Description


- 3-channel mono microphone mixer
- XLR connectors
- Power supply 12V from power supply or from two 9V batteries< /p>

ART PRO MIX – This is a compact mixing console that has 3 stereo inputs, a headphone output, and XLR connectors. It is not recommended to connect 2 mono sources to one channel. This model is perfect for compact events or for home recording studios. All 3 channels of the console are equipped with level controls. ART PRO MIX is a good option among compact mixing consoles. Thanks to its compact design, you can easily carry the remote control in your bag and use it in any suitable situations. This unit is powered by a 12V DC source or two 9V batteries.



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Number of channels: 1-6; Regulators: Rotary; +48V: +; Shipping: Free Shipping

Description



'- 2 mic inputs (XLR) + 2 stereo line inputs (2 x 1/4") - +48V phantom power on mic inputs - CD , MP3 input for connecting portable media 1/8"TRS - 2-band equalizer on each channel - Output level control (L / R) - Headphone output control - Aux output - 4 level meters - External power supply - Compact design - USB recording and playback function - Dimensions: 220 x 160 x 68 mm - Weight: 0.78 kg , thanks to which you can record a live performance or any other event, as well as play files stored on a connected device. The console is equipped with two microphone inputs with +48V phantom power and two stereo inputs. With all the necessary functions, this miniature console is perfect for mini concerts or home studios, and also has a monitoring function.

Each channel of the MIX02AU has a two-band equalizer, for adjusting the mix, and for adjusting the output level of the signal, The mixer has an overall level (L/R) and a headphone output. The remote power supply and compact design make it easy to carry the console by placing it in a bag or backpack. In addition, a special mount is included with the mixer, which allows you to expand the possibilities of placing the console. By installing the mount on the rear panel, it becomes possible to install the device on a standard microphone stand.



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Number of channels: 1-6; Regulators: Rotary; Effects Processor: +; +48V: +
Description


- Mixing console
- 2 mic/line (+48V) + 4 stereo channels
- MAIN L/R Stereo, 1 AUX Send, 1 stereo AUX Return
- 3-band parametric EQ on mono inputs
- 1.5 kg
- Built-in effects processor



Phonic AM 105 FX – This is a compact mixing console that has ten channels, all the necessary inputs, outputs, and a 3-band equalizer. This model is perfect for compact events or for home recording studios. It has two mic/line inputs and four stereo inputs. The console's mic channels are equipped with a three-band EQ, gain and volume controls, and a phantom power switch. Phonic AM 105 FX is a good option among compact mixing consoles. Thanks to its compact design, you can simply carry the remote control in your bag and use it in any suitable situation.



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Description


XLR - 2
USB - 1
Line in 1/4" - 4
Headphone out 1/4 " - 1
Main out 1/4" - 2
EQ - 2-band EQ on mic inputs
Channel EQ - LF (±14dB @ 80Hz), HF (±14 dB @ 12kHz)



ALESIS MultiMix 4USB is a four-channel desktop mixer with a built-in digital interface.This compact model is perfect for home recording studios, solo concerts , etc. The ALESIS MultiMix 4USB  console is equipped with linear analog inputs, but at the same time it is possible to output 16-bit 44.1 kHz digital audio using a low-noise computer connection.The mixing console has four inputs with a ¼ connector ;”, and it is also possible to connect two XLR microphones to channels 1 and 2. You can also connect condenser microphones, because this model has a built-in 48V phantom power. In addition, you can connect a guitar or bass directly to the console, thanks to the input with the ability to switch impedance.

Each of the channels has independent pan control, and the first two channels have a two-band equalizer with high and low frequencies. Channels 3 and 4 are designed as a stereo pan and level pair. For precise visual control of the signal level, the mixer has a multi-color five-level LED indication. For headphones there is a separate ¼” and a separate volume knob.



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'- 2 mic inputs (XLR) + 2 stereo line inputs (2 x 1/4") - +48V phantom power on mic inputs - CD , MP3 input for connecting portable media 1/8"TRS - 2-band equalizer on each channel - Output level control (L / R) - Headphone output control - Aux output - 4 level meters - External power supply - Durable and lightweight ABS housing - Compact design - Dimensions: 220 x 160 x 68 mm - Weight: 0.78 kg and equalizer on each channel. Great for solo performances or home use. Thanks to the AUX output, in-ear monitoring function is possible. The remote control includes 6 channels, including 2 microphone inputs with phantom power and 2 stereo inputs 1/4 "CD, MP3 input allows you to connect portable media via 1/8" TRS. The console has adjustable headphone output, signal output level, as well as a 12V external power supply and a four-level signal level indicator.

Lightweight and durable high-quality plastic case and compact design make this model an excellent choice for mini concerts. The kit comes with a special mount that allows you to install the mixer on a standard microphone stand.

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Number of channels: 1-6; Regulators: Rotary; Effects Processor: +; USB/MP3: +; +48V: +; Shipping: Free Shipping

Description



'- 2 mic inputs (XLR) + 2 stereo line inputs (2 x 1/4") - +48V phantom power on mic inputs - REC portable media input/output (RCA) - Headphone output 1/4" TRS Jack - 2-band EQ on microphone channels - USB media player (MP3 playback) - Main Mix output level control - Headphone output control - LED level meters - Remote power supply - Compact design - Built-in effects processor (Delay)

ARCTIC MS602M USB is a compact mixing console that has six channels and all the inputs you need to work, outputs, an equalizer, as well as a built-in USB player for playing mp3 files. This model is perfect for compact events or for home recording studios. It has two mic/line inputs and two stereo inputs. The microphone inputs have switchable phantom power. All mono channels have two-band EQ, gain and pan controls, while the stereo channels have balance and volume controls.

ARCTIC MS602M USB is a good option among compact mixing consoles. This model has a built-in delay, as well as a bright LED indication. Thanks to its compact design, you can easily carry the remote control in your bag and use it in any suitable situation. The mixer has an external power supply.



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Number of channels: 1-6; Regulators: Rotary; Effects processor: +; USB/MP3: +; +48V: +; Bluetooth: +
Description

Mixing console, 1 Mic / Line combo input with compressors and 2-band equalizer, two stereo inputs with level and balance control, stereo USB audio interface (PC / Mac, 16-bit, 48 KHz), playback of MP3, WAV and FLAC files from flash media, built-in TransFlash module for recording in WAV or MP3 formats, built-in Bluetooth module, + 48V phantom power for microphone input, stereo RCA Return input and mini-stereo Jack input, 5V DC power supply with power bank support, balanced master output.

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Number of channels: 1-6; Knobs: Rotary

Description



- 3-channel mixer with mic preamp and built-in USB audio interface
- Combined balanced XLR/unbalanced 1/4" TS Jack mic input
- 2x balanced/unbalanced 1/4" TRS Jack inputs
- 2x balanced 1/4" TRS Jack outputs
- 1/4 TRS Jack stereo headphone output
- Frequency range 20- 20000 Hz
- 90 dB harmonic distortion, +48 V phantom power
- USB port



ART's USB Mix compact mixer can become an indispensable device for a huge range of applications: home studios, mobile recording, rehearsal rooms, concerts.USB Mix will be simply indispensable due to its compactness, light weight and ease of use.This compact device has one mono channel for connection of a microphone (phantom +48V) or guitar (Hi-Z mode switch) and a stereo channel for connecting instruments with linear sound sources Built-in USB 2.0 interface allows you to record a mix with parameters 16 Bit, 44.1 kHz or 48 kHz, 0.4 ms A / D latency to the computer, and also simultaneously return the stereo signal via USB back to the remote control. The USB Mix comes with a cable for connecting to a PC, a power supply (USB connector) and a driver disk.



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Number of channels: 1-6; Regulators: Slider; Effects Processor: +; USB/MP3: +; +48V: +; Bluetooth: +
Description


Mixing console 5 mono+1 stereo. Frequency response: 10Hz-45KHz S/N rate 98dB. Three-band equalizer on each channel. USB player. bluetooth. Repeat, Delay. Phantom power switch

Mixing console 5 mono+1 stereo. Frequency response: 10Hz-45KHz S/N rate 98dB. Three-band equalizer on each channel. USB player. bluetooth. Repeat, Delay. Phantom power switch
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Description



'- 5-channel mixing console - 1 mic input (mono) - 2 line inputs (stereo) - 1 AUX bus - 2-band EQ on mic channel - Low noise preamplifier with phantom power on XLR microphone input - Outputs: main, headphone - External AC adapter - Dimensions 38 x 128 x 204 mm - Weight 0.75 kg

ALTO PROFESSIONAL ZMX52</strong > is a compact mixing console that has 5 channels and all the inputs, outputs and EQ you need for your home studio or solo concerts. It has one mono channel, with a microphone input that includes phantom power, a balanced TRS input, and a two-band equalizer. In addition to all this, the console has one stereo input for connecting an external player.

ZMX52 is one of the leaders in the market for compact mixing consoles. Great for home use, home recording or mini gigs. 



100% quality guarantee
100% quality guarantee
14 days for return
14 days for return
Nationwide delivery
Nationwide delivery
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