Digital Mixers

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• Channels: 120 mono, 60 mix, 24 matrix,
• 96kHz processing,
< li>2 x 15" touch screens,
• Faders: 38 (12+12+12+2),
• Selected Channel,
• Custom Fader banks: 6 x 2 (per block),
• User Defined keys: 12 x 4 banks,
• User Defined knobs: 4 x 4 banks,
• Touch and Turn: 2,
• Analog I/O: 8 / 8,
• Slots: 3 x HY, 2 x MY,
• AES/EBU: 4 in / 4 outs (with SRC),
• GPI Port (8 in / 8 out),
• Word Clock In/Out,
• MIDI In/Out,
• 5 USB (1 for 2-track recording),
• Video Out (DVI-D),
• TC In,
• Two built-in power supplies

More than a decade has passed since the Yamaha PM1D and PM5D set the direction for digital live sound consoles, and now it's time for a new flagship that satisfies significantly increased modern requirements for quality and versatility when working with live sound. The Yamaha RIVAGE PM7 inherits the DNA that made the PM series consoles the darling of demanding audio engineers around the world, delivering advanced features and performance that take Yamaha products to new heights in digital mixing consoles.

  The RIVAGE PM7 system consists of a control panel with a built-in CSD-R7 DSP module, RPio622 I/O stageboxes, three types of RY cards and two types of HY cards. The CSD-R7 is identical in size and layout to the "large" control surface of the RIVAGE PM10 CS-R10. With built-in DSP, RIVAGE PM7 offers similar high standards of performance and workflow efficiency in a relatively compact, portable system. Yamaha's PM brand continues to innovate and grow the live sound industry.   The ideal starting point for creative sound work is transparent, uncolored sound. All Yamaha mixers are built on this philosophy to allow engineers to accurately "see" the sound on stage, without coloration, and then add creative touches as needed. Yamaha's unwavering commitment to this concept continues with the RIVAGE PM7.   [embed]https://www.youtube.com/watch?v=q2ga3z-mtZk&feature=emb_logo[/embed ]

Two types of I/O rivers for perfect sound

I/O (input-output) modules for RIVAGE PM7, each of which works with its own type of audio network.

The first type is TWINLANe, with optical cable connection for simultaneous transmission of up to 400 audio channels. Combinations of the RPio622 and/or RPio222 I/O module and the HY256-TL or HY256-TL-SMF audio interface cards allow you to pass input signals from hybrid mic preamps that take Yamaha's concept of "natural sound" to new heights, as well as digital modules with flawless Rupert Neve Designs VCM transformers and SILK processing, which are amazingly musical and atmospheric.   The second digital audio protocol is Audinate's Dante, which is already the standard for CL and QL series digital consoles, as well as a number of other Yamaha products. The Dante-compatible Rio3224-D2 and Rio1608-D2 I/O modules, combined with the HY144-D expansion card, provide high-quality audio for the RIVAGE PM series.   Accurately and cleanly rendered stage sound provides the ideal basis for creative work.  

Rupert Neve quality for all sound engineers Equipped with RY-ML-SILK analog cards, the RPio622 and RPio222 I/O modules offer outstanding emulations transformer circuitry and SILK processing featured in Rupert Neve Designs mic preamps, immaculately modeled using Yamaha VCM (Virtual Circuitry Modeling) technology.     Sound engineers appreciate Rupert Neve mic preamps for their pleasant natural compression and saturation. SILK processing is able to take this seductive sonic platform to the next level. Sounds that tend to get lost in the mix are given new life and brilliance with lush analog character.     The SILK processing function on the RY16-ML-SILK audio interface board with hybrid mic preamps offers two sound options: "RED" for bright, punchy sound and "BLUE" for solidity and punch. There is also a TEXTURE control that musically shapes the harmonic components to best capture the source. The benefits of SILK processing also become apparent when working with EQs and reverb plugins.     RIVAGE PM7 makes the coveted sound of Rupert Neve preamps available to a wider range of sound engineers who can use it in their creative work.

Built-in Dan Dugan Automixer

Working closely with Dan Dugan Sound Design, Dan Dugan's award-winning microphone automixer is built into RIVAGE PM digital mixing systems using state-of-the-art algorithms. Setup is simple: activate the processor in the insert for up to 64 channels to automatically optimize microphone gain distribution. The gain control is very smooth and natural, as if the mix is being controlled by experienced operators. The system also effectively reduces problems with feedback and comb filters. For speech tasks, especially in non-scripted situations, this allows the operator to focus on the details, not the faders, to create a high quality mix.    

Convenience of work

The mixing console is the main instrument of the sound engineer. Convenience and responsiveness are critical, especially in today's booming live sound industry. That's why Yamaha digital consoles are designed to provide a unique combination of analog-style performance with cutting-edge, state-of-the-art digital technology available today. The worldwide recognition of Yamaha digital mixing consoles is a testament to their success, and the RIVAGE PM7 continues that tradition. It shares the same dimensions and control panel as the flagship RIVAGE PM10 and offers an identical user interface. With convenience and features fully geared towards today's soundstage, the RIVAGE PM series allows sound engineers to focus on sound and enjoy the creative process.

Yamaha's Ultimate Selected Channel Interface Key to Yamaha's legendary digital console functionality is the Selected Channel concept, which provides direct access to the parameters of any channel selected using the SEL key. RIVAGE PM7's Selected Channel inherits the full-featured configuration of the flagship RIVAGE PM10, providing direct, quick access to all channel parameters. Encoders, buttons and indicators in a common layout make the most of available panel space for ease of use in all conditions and situations.

Synergy of touch displays and fader strips for intuitive operation The RIVAGE PM7 control surface has three groups of 12 faders to which you can assign channels in the desired configuration. The two left-most fader groups operate with large touchscreen displays on the top panel, providing an expanded Centralogic operating environment. Channel strips run vertically into displays for clear, logical control. The ability to manage channels in groups of 12 provides flexibility for virtually any workflow.

 

A monitor section that can handle any task

Monitoring needs for live sound can vary greatly from job to job, so a flexible monitoring system is needed here. The RIVAGE PM7 has two monitor/cue outputs with independent level control, and up to eight source combinations can be stored for instant recall. The monitor section also offers delays, as well as an eight-band parametric EQ. An insert point before the EQ block allows you to use plug-ins in the monitor section. The carefully thought out and flexible features in the monitoring section of RIVAGE PM7 make it easy to adapt to any situation.  

Convenience is in the details

The main encoders on the RIVAGE PM7 panel are surrounded by horseshoe-shaped indicator rings that display the current settings. The shape of the rings is designed to provide optimum visibility when, for example, the operator's view of the encoders is from below, which is often the case when multifunction encoders are positioned above the fader bars. The unique shape also ensures that the indicators at the 12 o'clock position are not hidden behind the encoder knob. Another important feature is the shape of the fader tips, developed from years of experience designing and honing mixer interfaces. The fader tips are ergonomically contoured for precise, comfortable control no matter where your finger touches the contour of the knob. This is a feature that can only be truly appreciated by touching it yourself. Overall, the console is designed with touchscreen displays and a "Selected Channel" section on the raised top panel to provide optimal visibility from the engineer's position, as well as easy access to all controls. The stage and the console are within view at the same time. The touchscreens are also within easy reach for effortless access.

 

Improved functionality

One of the most important advantages of modern digital consoles is the ability to store scenes and settings in memory. But different engineers can vary widely in mixing styles and ideas about how to use scene memory, so this feature must be implemented in the most flexible way.   The RIVAGE PM7 system provides many ways to "filter" scene memory recall operations. Focus recall, a feature that is already familiar to Yamaha console users, allows you to specify the types of data to be recalled. Recall Safe works differently, preventing certain data types from being called. The "Isolate" filter now allows you to specify entire channel modules, including EQ libraries and dynamics, etc., that will be protected from memory recall operations. This means that even if certain channel parameters are protected by Recal Safe, for example, you can instantly isolate and protect the entire channel without changing the Recal Safe settings. This is a feature that will be of great value in situations where scene memory is widely used.  

Overlay filter to quickly respond to sudden changes

The Overlay filter is another new feature that can greatly expand the usefulness of scene memory. This filter can be “overlayed” on the current mix to apply offsets to fader positions and send levels to mixes/matrices regardless of the scene settings called out. An example of how this can be used is the appearance of an unscheduled performer requiring an adjustment in the level of the corresponding channel. Using the Overlay filter, you can make a temporary relative level change on that channel and then instantly return to the original level. The Overlay filter will prove its worth in situations that require sudden changes, as well as the ability to easily revert to the original settings.

Functions to work with in broadcast applications

RIVAGE PM7 supports 5.1-channel surround panning and monitoring for broadcast applications and has two surround buses for efficient international broadcasting. There is also a Mix Minus feature that allows you to remove a specific source from your broadcast with just a few simple steps.

Two convenient recording approaches live sound

Professional quality real-time recording is becoming an important feature in live sound consoles. In addition to convenient 2-channel USB recording, the RIVAGE PM7 supports multi-track recording via Dante audio networking to meet the widest possible range of serious recording needs.   The 2-track USB recording function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on a flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without worrying about the system's sample rate. Recording or playback of WAV or MP3 files is supported.   Multitrack recordings can be made to a computer running a DAW application via the Dante audio network. High-resolution recording up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a Dante Accelerator PCIe expansion card. With Dante Virtual Soundcard, the maximum number of input/output tracks is 64.   Multi-track recordings of rehearsals made in this way can be used for a "virtual sound check" later when the performers are not available. Input patching for all required channels can be switched in one operation for recording and virtual sound check. Recorder playback and stage signals can even be combined as needed.  

Key features:

 

• Channels: 120 mono, 60 mix, 24 matrix,
• 96kHz processing,
• 2 x 15" touch screens,
• Faders: 38 (12+12+12+2),
• Selected Channel,
• Custom Fader banks: 6 x 2 (per block),
• User Defined keys: 12 x 4 banks,
• User Defined knobs: 4 x 4 banks,
• Touch and Turn: 2,
• Analog I/O: 8 / 8,
• Slots: 3 x HY, 2 x MY,
• AES/EBU: 4 in/4 out (with SRC),
• GPI port ( 8 in / 8 out),
• Word Clock In/Out,
• MIDI In/Out,
• 5 USB (1 for 2-track recording),
• Video Out (DVI-D),
• TC In,
• Two built-in power supplies

      < /tr> < tr>

Analog inputs		8 in / 8 out
Digital outputs		AES/EBU: 4 out (with SRC), GPI (8 out), Word Clock Out, Video Out (DVI-D)
MIDI		MIDI In/Out
Faders		38 (12+12+12+2)
Digital inputs		AES/EBU: 4 in (with SRC), GPI (8 in), 5 USB (1 for 2-track recording)
Dimensions		1,549 x 417 x 848 mm
Weight		94 kg
< b>Optional		15" touch panel x 2
Warranty< /td>		12 months + 12 months free service
Production		Japan

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• 8 mic/line input channels and 8 analog output channels
• 16 channels of receiving and transmitting digital data via YDIF
• 16 Dante channels
• 1 MY card slot
• 1 SD card slot for music production


The MTX series digital processors feature an impressive array of programmable features specifically designed to enhance the performance and sonic performance of commercial audio systems. Primarily designed for multiple locations in commercial installations, the MTX Series matrix processors provide the flexible signal processing needed for many commercial environments such as retail, restaurants, bars or banquet halls. Responsible for the core processing at the heart of your sound system, MTX processors also allow you to configure, program and control your entire sound system through an intuitive interface and included MTX Editor software. The MTX series consists of two models with different DSP parameters and expansion options, allowing the processors to meet the requirements of a wide range of commercial applications and areas.

Ideal DSP for SMBs

The MTX series digital signal processors have an impressive array of programmable features specifically designed to enhance the performance and sonic performance of commercial audio systems. We've paid particular attention to reliability and ease of use, exemplified by features such as an automated Feedback Supressor that detects and eliminates acoustic feedback, and an Auto Gain Control that maintains optimal output levels when levels input signals are different. For office and public warning systems, MTX digital processors have such useful features as Proirity Ducker - automatic reduction of the output signal level to a predetermined level when the input signal from a separate sound source exceeds the threshold; and Ambient Noise Compensator - a function that allows the system to adapt to the level of changing noise. And the built-in speaker processor not only optimizes speaker performance and sound quality, it also makes it easy to create and modify audio system configurations.

New YDIF Digital Audio Transfer Format

All MTX processors feature the new YDIF Digital Audio Transfer Format, a Yamaha patented technology that provides up to 16 channels of data transfer and world clock synchronization over a standard CAT5 Ethernet cable. The YDIF format can be used to cascade multiple MTX processors or to power XMV series power amplifiers with cabling up to 30m.

Versatile I/O configuration and SD card slot

input and output jacks, which will be very useful for many applications: 8 mono mic/line input jacks, 2 stereo line input jacks, 16 YDIF digital jacks; and output connectors: 8 linear mono and 16 digital YDIF. MTX processors also have an SD card slot for MP3 and WAF audio playback from an SD card. The Event Scheduler function allows you to play audio data for announcements, announcements and announcements or as music using external devices as a remote control at a specified time, as well as select presets stored in the MTX.

Built-in Dante port and MY slot for expansion for large installations (available on MTX5-D model only)

Dante is Audinate's latest networking technology, specifically designed to provide multi-channel digital signal transmission without distortion or delay to several locations over relatively long distances. With a built-in Dante port, the MTX5-D provides 16-channel bi-directional digital audio with just a single Ethernet cable. The MTX5-D also connects easily to other Dante-enabled devices such as the CL series mixing consoles or XMV series power amplifiers, making it much easier to create and configure large room sound systems. MTX5-D processors provide even more expansion options with the MY slot, which allows you to easily and quickly work with a large number of digital protocols and audio formats, as well as providing the full potential of working with MY expansion cards.

Flexible control

With the DCP digital controllers and the MTX series, you can set the volume level and any other settings of multiple locations at a remote distance. You can combine up to eight DCP controllers over a maximum length of 200m, providing great installation flexibility. The MTX processors also have a protocol port compatible with touchpanels such as AMX/Crestron version 1.1 and GPI ports for standard controllers. iPhone and iPod touch owners can download the new Wireless DCP app to remotely control their sound system using the simple and intuitive interface of an Apple device.

Two Digital Effects Processors

The MTX processors have two built-in digital effects processors that will prove useful in the entertainment industry, especially in banquet halls. Reverb and echo effects can be easily programmed and assigned using the virtual MTX Editor, eliminating the need for additional console hardware.

Easy parameter setting and adjustment with MTX Editor

MTX Editor is software that allows you to create and manage plant parameters through an intuitive interface that displays all workflows and system configuration. The MTX Editor also features optimized parameter presets for Yamaha's dedicated speakers to improve sonic performance.

Digital Control Panel - DCP Series

DCP controllers provide flexible external control of certain functions, such as recall presets, different levels, or SD card file playback. Three different controller models allow you to control models that have different switch and volume control configurations. All three models are available in both American and European standard sizes, designed to meet the specifications of most regions around the world.

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Analog inputs - 32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) Analog outputs - 16 (XLR) Equalizer - 4- bandpass fully parametric equalizers Digital outputs - 34 x 34 USB audio interface, 2-track recording on USB flash drive Frequency response - 20 Hz - 20 kHz Sample rate - 48 kHz Faders - 100 mm motorized, resolution = 10-bit, +10dB to -138dB , –?dB all faders THD - Less than 0.05% 20Hz–20kHz @+4dBV 600, INPUT to OMNI OUT, Input Gain=Min. (Measured -18dB/oct. filter @80kHz) Dynamic Range - 110dB typ., DAC, 107dB typ., INPUT to OMNI OUT, Input Gain=Min. Channel Crossover - -100 dB (Measured -30 dB / oct. filter @ 22 kHz), adjacent INPUT / OMNI OUT channels, Input Gain=Min Dimensions - 866 x 225 x 599 mm Weight - 20 kg Optional - Temperature: 0 -40 °C, storage: -20 - 60 °C Warranty - 12 months + 12 months free service

April 15, 2015 at the Prolight + Sound 2015 international exhibition in Frankfurt, Yamaha introduced new series of digital mixing consoles, heralding a new, best-in-class solution for small to medium-sized audio applications.

Yamaha has largely redefined digital mixing for live performance and installations with the RIVAGE PM10 series of consoles , CL and QL. Now, with the TF Series, the company is opening up its cutting-edge technology to an even wider range of users, with advanced capabilities and Yamaha's highest levels of reliability at an affordable price range. With key features aimed at both new users and experienced professionals, the TF series offers the tools and capabilities of its large-scale CL/QL brothers even for small and budget sound reinforcement applications.

The TF series includes three compact , productive digital mixing consoles. The TF5, TF3 and TF1 respectively feature 33, 25 or 17 motorized faders along with 32, 24 or 16 analog inputs on the rear panel with high quality Yamaha D-PRE™ preamps for the first time in a digital console. These features provide significantly improved support for live sound applications where global settings changes must be made on the fly.

In total, the consoles have 48 inputs (TF5 and TF3, 40 for TF1), including 2 analog stereo pairs / digital USB and two returns. Enhanced live recording capabilities include up to 34 x 34 channels of recording and playback via USB 2.0 interface and 2 x 2 to a USB flash drive. All this, plus the seamless operation of external I/O devices, makes the TF series an excellent solution for a wide range of applications.

TouchFlow Operation™ is a new approach to console control that combines elements of advanced user interfaces Yamaha with a touch panel that allows operators to work with musicians on stage quickly and easily. Experienced engineers and novices alike will find it easier and faster than ever to achieve the perfect mix with TF!

In addition, in collaboration with leading microphone manufacturers such as Shure, Sennheiser and Audio-Technica, a whole range of presets have been created for TF for input and output channel settings. Input channel presets have been created to match the ranges of musical instruments and voices, covering parameters such as HA Gain, EQ, dynamics and more, down to details such as channel name and color indication. The output channel presets include parameters optimized for use with in-ear monitoring (IEM) and Yamaha speakers, with variations for different environments and room sizes. This is a huge benefit for novice users, while experienced engineers will appreciate the improved speed and efficiency of the systems.

Allen & Heath ME-500 is designed for ME digital personal monitoring system. The device is directly (Plug and Play) connected to Allen & Heath (dLive, GLD, Qu and Aviom A-Net 16), and through the hub ME-U can be used with consoles from other companies, such as Digico, Yamaha and Avid. A maximum of eight user presets (pan, mute, levels, key assignment) can be saved and recalled for mixes, shows and users. Presets can be saved to a USB drive for use in other mixers. The panel includes a display with adjustable brightness, 16 backlit Select buttons, Solo and Mute buttons. There is also a level control, limiter, 2-band EQ (output), encoder for control and navigation. Headphones are connected via minijack and 1/4 inch connectors, monitor speaker system - via a separate output. An unlimited number of ME-500s can be used within one monitoring system. The EtherCon connectors enable daisy-chaining of mixers, and star connection with ME-U or network switch (PoE support).

16-channel mixer Allen & Heath ME-500 is designed for ME digital personal monitoring system. The device is directly (Plug and Play) connected to Allen & Heath (dLive, GLD, Qu and Aviom A-Net 16), and through the hub ME-U can be used with consoles from other companies, such as Digico, Yamaha and Avid. A maximum of eight user presets (pan, mute, levels, key assignment) can be saved and recalled for mixes, shows and users. Presets can be saved to a USB drive for use in other mixers. The panel includes a display with adjustable brightness, 16 backlit Select buttons, Solo and Mute buttons. There is also a level control, limiter, 2-band EQ (output), encoder for control and navigation. Headphones are connected via minijack and 1/4 inch connectors, monitor speaker system - via a separate output. An unlimited number of ME-500s can be used within one monitoring system. Using EtherCon connectors, you can connect mixers in a chain, and using ME-U or a network switch (PoE support) - a star connection.

Digital mixing console for podcasts and music, 6 XLR/TRS combo mic/line inputs 1/ 4" + 2 stereo line inputs TRS 1/4", low-cut filter (75 Hz), Hi-Z / Pad switch on input channels, 3-band EQ on each channel, master output 2 x XLR (balanced) / TRS 1 /4" + 3x TRS 1/4" monitor outputs built-in effects processor 8 programs, built-in SD card recorder, USB audio interface for DAW 12in/4out, iOS device connectivity, 6 assignable pads for triggering sounds, 7 user scenes , mains operation or 4 x AA batteries, 268 x 282 x 74 mm, weight 1.56 kg. Includes TRRS cable (connect to mobile devices as an interview headset).

Features:

Digital mixing console for podcasts and music.

6 XLR/TRS 1/4" combo mic/line inputs + 2 TRS 1/4" stereo line inputs.

Cutoff low pass filter (75 Hz).

Hi-Z/Pad switch on input channels.

3-band EQ on each channel.

Master output 2 x XLR (balanced)/ TRS 1/4" + 3 monitor outputs TRS 1/4".

Built-in effects processor 8 programs.

Built-in SD card recorder.

USB audio interface for DAW 12in/4out.

Ability to connect to iOS devices.

6 assignable pads to trigger sounds.

7 user scenes.

Powered by mains or 4 x AA batteries.

Dimensions: 268 x 282 x 74 mm.

Weight: 1.56 kg.

TRRS cable included (connect to mobile devices as an interview headset).

Zoom LiveTrak CBL-20 is an ethylene vinyl acetate case for ZOOM L-20 and ZOOM L-12 digital mixers and necessary accessories (power supply, cables and SD cards.)

Zoom CBL-20 features:

• Internal elastic straps protect L-20 or L-12 from damage and shock;
< li>An additional internal compartment for the L-12 also has a shockproof function;
• It comes with a padded shoulder strap for carrying the case.

Zoom LiveTrak CBL-20 is an ethylene vinyl acetate case for ZOOM L-20 and ZOOM L-12 digital mixers and necessary accessories (power supply, cables and SD cards.)

Features:

• Internal elastic retention straps protect L-20 or L-12 from damage and shock
• Additional internal compartment for L-12 also has a shockproof function
• Includes a padded shoulder strap

Key features:

• Power supply: 220V – 240 V AC, 50/60 Hz
• Frequency response: 20 Hz – 20 kHz
• Distortion: < 0.03%
• Power consumption: 14W
• Signal-to-noise ratio: 90 dB (or more (IHF-A weighted)
• Inputs: 6 mono input channels, which can be selected separately from 3 input types for each channel: LINE, MIC or PHANTOM, LINE: -10 dBu, 2.4 kΩ, MIC: -46 dBV, 2.4 kΩ, PHANTOM: - 46 dBV, 2.4 kΩ, +24 VDC / 10 mA power supply, electronically balanced, removable terminal block (3 pins), telephone jack, 3 stereo inputs (L, R): -10 dBV / 10 k?, RCA rose , stereo mini jack
• Outputs: 2 mono outputs: 0 dBV, electronically, fully balanced, removable terminal block (3 pins); 1 stereo output (L, R): 0 dBV, electronically balanced, removable terminal block (3 pins) 1 stereo recording output (L, R): -10 dBV, RCA jack clip (ACG), auto mute
  Sampling frequency: 48 kHz/24 bit
• Finish: aluminum, steel plate, black
• Dimensions: 420 x 44 x 341.3 mm (W x H x D)
• Weight: 4 kg

Package contents

• Power cord (2m) x 1
• Removable plug (3 pins) x 10
• Rubber feet x 4
• Rack mount bracket x 2
• Screw (M3 x 8) x 6
• Rackmount screw (5) x 12) x 4

M-633D — This is a stereo mixer equipped with 12 input channels (6 mono inputs and 3 stereo inputs) and 6 output channels (2 mono outputs, 1 stereo output and 1 stereo recording output). It has 2 mono channel and 1 stereo channel bus lines, allowing you to assign each input signal to each bus line individually. It has digital signal processing functions such as auto resonance control, feedback suppression (FBS), auto write protection (ACG) and auto mute (AUTO MUTE).

It performs advanced acoustic compensation through automatic processing without the use of an acoustic meter. It can be installed in an EIA component rack (1U size).

Features

• One-touch operation
• Automatic resonance control (ARC) with room mode frequency detection and inverse response curve for compensation
• Automatic protective tape (ACG)
• Automatic feedback suppressor (FBS)< /li>
• Auto mute function
• Clear sound
• 1 height unit